Mercedes-Benz Stadium in Atlanta has added a Mini Halo Board inside its production control room, giving operators a scaled-down replica of the massive Halo Board seen by fans inside the venue. The new LED display is designed to improve quality control, rehearsal, and show preparation for Atlanta Falcons, Atlanta United, and other events.

Systems integrator Alpha worked on the project alongside Mercedes-Benz Stadium, Daktronics, Ross Video, and other technology partners. Daktronics used flexible 1.5mm LED modules to recreate the unique circular display, while Ross Video technology scales the feeds used on the full-size Halo Board for the control-room version.

For integrators working in sports venues and live-event production, the project demonstrates how replicating complex in-venue displays inside the control room can give production teams a more accurate way to test content, reduce preparation time, and manage multiple shows without relying solely on cameras pointed at the main display.

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Grass Valley introduced AVORA at IBC 2026, a standalone all-in-one production system designed to bring professional live production capabilities into a simpler, more unified workflow.

Built on Grass Valley AMPP technology, AVORA combines switching, graphics, audio, remote guests, content, replay, recording, monitoring, playout, and delivery within a single system. Complete production resources can also be saved, duplicated, and recalled, making the platform particularly useful for organizations producing recurring shows, events, and standardized content formats.

AVORA supports both visual shot-based production and traditional program/preset operation through a web-based interface. Integrated remote guest capabilities add private invitation links, low-latency connectivity, mix-minus, and talkback without requiring a separate guest workflow.

For integrators and production organizations, AVORA provides another option for building scalable software-defined live production systems while reducing the number of separate tools required to operate a show. The platform complements Grass Valley's K-Frame hardware switching and its Maverik X and AMPP solutions for larger enterprise environments.

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At IBC 2026 in Amsterdam, Broadfield Distributing Vice President Jim Bask spoke with Mike Valinsky from The Making Of about how expectations for professional video production continue to rise.

One of the biggest shifts is that cinema-quality imaging is becoming an expectation rather than a luxury, including in robotic camera and sports production environments. As PTZ and robotic systems take on larger roles in professional workflows, image quality is increasingly expected to keep pace with the flexibility and automation these systems provide.

Bask also highlighted the importance of IBC and NAB to the industry's product cycle, with new technology introduced at one major show often becoming available by the next. For Broadfield's dealers and integrators, that cycle provides an opportunity to see emerging production technology and prepare for changing customer expectations.

Broadcast Management Group (BMG) is using LiveU LU800 encoders and LiveU IQ (LIQ) intelligent connectivity to rethink how professional golf can be produced remotely. For The Pro Tour, BMG designed a REMI production ecosystem that reduced reliance on traditional OB trucks, fixed fiber infrastructure, and large on-site crews.

The nearly wireless workflow allowed camera operators to move throughout the course and transmit feeds, including drone coverage, back to BMG's Network Operations Center. LIQ continuously monitored available network conditions and optimized connectivity across multiple cellular networks, while Starlink was available as backup connectivity but, according to BMG, was not needed.

The approach allowed BMG to cover areas previously difficult or impossible to reach with fixed infrastructure. Cameras could also be redeployed as the action moved instead of remaining constrained by cable runs. Across the season's tournaments, BMG reported zero dropped feeds, including coverage from a hole at PGA National Resort in West Palm Beach that had reportedly never been televised because it was outside the venue's fixed fiber infrastructure.

For broadcasters and production companies, the workflow demonstrates how bonded cellular and REMI production can reduce the physical footprint of golf coverage while expanding camera placement, remote collaboration, and production flexibility.

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At IBC 2026, Kiloview's Judy Zuo highlighted a complete workflow for live streaming, video contribution, and remote production built around the Kiloview P3, P3 Mini, and KiloLink Station Pro.

The P3 and P3 Mini cellular bonding encoders provide field teams with a flexible way to send live video from remote locations, while KiloLink Station Pro brings centralized device management into the workflow. Together, the solution can support multiple cameras and synchronized SDI outputs while reducing the complexity typically associated with remote contribution.

For integrators and production organizations supporting sports, news, live events, and field production, Kiloview's approach provides a more streamlined way to deploy and centrally manage professional remote production workflows without requiring a complicated setup.

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Avid wrapped up IBC 2026 in Amsterdam with several announcements focused on helping media organizations improve content management, editing, analytics, and AI-assisted workflows.

Among the highlights was Avid Content Core, an IBC 2026 Best in Show winner, alongside Content Core Insights, an analytics dashboard designed to provide end-to-end visibility into the cost and profitability of content. Avid also highlighted new developments for Media Composer, including Ready to Edit, which automates administrative tasks to give editors more time for creative work, as well as a newly announced partnership with FilmLight.

AI was another major focus. Avid is working with Google Cloud to integrate governed AI directly into media workflows, with an emphasis on using automation to reduce repetitive tasks while keeping creators focused on storytelling.

For broadcasters, post-production facilities, and media organizations, Avid's IBC 2026 announcements reflect a broader move toward connected content workflows, better operational visibility, and practical AI automation across the production lifecycle.

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The line between broadcast and Pro AV continues to blur as corporate facilities, higher education, houses of worship, and live-event venues produce content for both in-person and remote audiences.

According to Roland, that shift is changing how AV systems need to be designed. Modern environments increasingly require live switching, streaming, graphics, and content delivery alongside traditional AV capabilities. Supporting HD and 4K workflows also gives organizations a practical way to modernize without replacing their entire infrastructure at once.

4K can provide workflow benefits beyond resolution. Region of Interest (ROI) production can create multiple HD shots from a single 4K camera, while additional resolution provides greater flexibility for LED walls and unconventional display formats.

For integrators, Roland emphasizes that these capabilities also need to remain approachable. Solutions such as the Roland V-1-4K Video Switcher use built-in scaling to simplify mixed-resolution environments, while VenuSet can provide customized control interfaces focused on the functions individual operators need.

As broadcast and AV workflows converge, Roland's approach focuses on balancing professional production capabilities, flexibility, and intuitive operation, helping integrators build systems that can be operated by IT teams, educators, volunteers, and event staff without requiring traditional broadcast expertise.

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High school sports production is becoming more sophisticated as schools invest in videoboards, PTZ cameras, IP video, replay, graphics, and live streaming. These upgrades are not simply about creating a better game-day experience. Schools are also using production technology to support student education, community engagement, and sponsorship opportunities.

Budget remains an important consideration, making scalable systems especially valuable. Schools can begin with production technology for one sport or venue and expand over time. At Salesianum School in Wilmington, Delaware, for example, students operate six PTZOptics cameras with vMix, NewBlueFX Captivate, and a PTZOptics SuperJoy, with plans to extend the workflow beyond football.

For AV integrators, the opportunity extends across cameras, networking, videoboards, audio, replay, remote production, and centralized control. The most effective systems balance professional capabilities with workflows that student crews can learn and operate reliably.

As schools continue investing in athletic facilities and student media programs, Pro AV can provide a foundation that improves the fan experience today while giving students hands-on experience with technologies used in collegiate and professional production.

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Panasonic is taking another step forward in professional PTZ production with the AW-UE200 and AW-UER200, bringing global shutter technology to workflows where fast motion, LED walls, flashing lights, and rapid camera movement can challenge image integrity.

The bigger story is the combination of global shutter with high-speed movement, auto-framing, SMPTE ST 2110, JPEG XS, and Dante. Together, these capabilities give integrators and production teams a PTZ platform designed around the growing demands of IP-based and automated live production.

For broadcast, sports, live events, houses of worship, and corporate AV, the AW-UE200 and AW-UER200 expand the types of environments where PTZ cameras can play a larger role while maintaining the flexibility and remote operation that make PTZ workflows valuable.

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