Dante Adapters

Power your AV-over-IP workflows with Dante Adapters from Turtle AV—designed for seamless audio integration and reliable performance. All adapters are TAA compliant, backed by a 3-year warranty, and ready to ship. Available now at Broadfield—contact your Broadfield Sales Rep at 800-634-5178 to learn more.

Dante Dual Channel Analog XLR to Dante Adapter
Two-channel XLR analog audio to Dante 2CH digital audio
IN STOCK!
SKU: TAVD2XEN
MPN: TAV-D2XEN
$149.00 MSRP

Dante Dual Channel Dante to Analog XLR Adapter
Dante 2CH digital audio to two-channel XLR analog audio
IN STOCK!
SKU: TAVD2XDE
MPN: TAV-D2XDE
$149.00 MSRP

Dante Dual Channel Analog Line Input Adapter with Gain Controls
Two-channel analog audio to Dante 2CH digital audio
IN STOCK!
SKU: TAVD2LEN
MPN: TAV-D2LEN
$149.00 MSRP

Dante Dual Channel Analog Line Output Adapter with Gain Controls
Dante 2CH digital audio to two-channel analog audio
IN STOCK!
SKU: TAVD2LDE
MPN: TAV-D2LDE
$149.00 MSRP

Dante Dual Channel USB-C I/O Adapter
Bi-directional conversion for two-channel USB audio and Dante 2CH digital audio
IN STOCK!
SKU: TAVD2USB
MPN: TAV-D2USB
$149.00 MSRP

Dante Dual Channel Bluetooth Input Adapter
Two-channel Bluetooth audio to Dante 2CH digital audio
IN STOCK!
SKU: TAVD2BEN
MPN: TAV-D2BEN
$149.00 MSRP

Dante Bluetooth Wallplate Fam

• Two channel Bluetooth audio to two channel Dante digital audio
• Bluetooth V5.0, SBC/AAC/APTX/APTX-LL/APTX-HD, up to 192kHz@24bit
• Volume adjustment over Bluetooth
• Playback controls over Bluetooth
• WebUI and API over IP
• Dante audio sampling rate up to 96kHz@24bit
• Configurable Dante latency with support for 2, 3, 5 or 10 milliseconds
• PoE and 12V DC power options
• US 1-Gang Decora and EU Wall box
• White and Black options 
• TAA compliant
• 5 year warranty

Turtle Dante Bluetooth Wallplate, US 1 Gang Decora
Black MPN: TAV-BTWPUS-BLACK
White MPN: TAV-BTWPUS-WHITE
$599.00 MSRP

Turtle Dante Bluetooth Wallplate, EU Wall Box
Black MPN: MPN: TAV-BTWPEU-BLACK
White MPN: MPN: TAV-BTWPEU-WHITE
$599.00 MSRP

JEF. Dante Enabled Mic Preamp.

• Mic Preamp with 48V Phantom Power
• Primary and Secondary Dante Networks
• Dual PoE
• Locking etherCON connectors
• 8 Band Parametric EQ
• Dante and AES67
• Aircraft Grade Aluminium housing
• Compressor & Expander
• 5 filters including high pass & low pass
• WebUI and API control
• TAA compliant
• 5-year warranty

Turtle JEF Dante Enabled Mic Preamp
SKU: TAVJEF
MPN: TAV-JEF
$499.00 MSRP

The article explains how this acquisition allows Atomos to expand beyond its traditional strengths in on-camera monitor-recorders into the premium reference monitoring space. Flanders Scientific is widely respected in post-production, broadcast, and high-end content creation environments, where precise color accuracy and reliability are essential. By bringing FSI into its portfolio, Atomos gains access to a trusted lineup of professional-grade monitors that have already undergone years of validation and industry adoption.

Importantly, Flanders Scientific will continue to operate as its own brand, maintaining its established identity, engineering philosophy, and product standards. Rather than rebranding, Atomos plans to support and scale FSI’s reach while preserving what makes it valuable to professionals. The article notes that this approach not only protects FSI’s reputation but also allows Atomos to benefit from an additional revenue stream without disrupting an already successful business model.

Naso also highlights the broader implications of the acquisition, including the potential for deeper integration between the two companies’ technologies. While there is speculation about whether Atomos’ AtomOS platform could eventually be incorporated into FSI products, no official plans have been confirmed. However, the move clearly positions Atomos to offer a more comprehensive, end-to-end monitoring ecosystem—from capture through final color grading.

Finally, the article provides perspective from both CEOs, emphasizing the long-term vision behind the deal. Barber frames the acquisition as part of a larger strategy to build a stronger, more innovative company through both internal development and strategic acquisitions. Meanwhile, Flanders Scientific CEO Bram Desmet underscores the opportunity to expand their reach while continuing to deliver the trusted tools professionals rely on. Together, the companies aim to elevate production and post-production workflows by combining precision, scale, and innovation.

Read the full article by Erik Naso for NewsShooter HERE

Learn more about Atomos HERE

Learn more about PTZOptics HERE

“Designed to build on the strengths of RC-IP1000, while addressing user feedback for a more intuitive and reliable experience in a smaller, more portable form.”
Church Production

RC-IP300 Features

• Powered by Power over Ethernet or AC Adapter (included)
• Compact and lightweight Fully featured remote camera controller provides smooth PTZ movement and precise control
• 3.5” touch panel for a clear display of operation screens, camera configuration, live camera views, and Touch Auto Focus
• Control up to 200 supported Canon cameras User assignable buttons and dials allow users to customize the controller to provide easy access to their most frequently used functions
• Adjust pan, tilt, zoom and change camera function settings remotely
• Support for multiple connected cameras to be operated and configured simultaneously
• Control lever and zoom rocker with adjustable reaction rate
• Camera OSD menu from compatible cameras can be shown on the touch panel and operated using push-button controls

The RC-IP300 PTZ remote camera controller is currently scheduled to ship in June 2026 for an estimated retail price of $2,499.00.

Check out the full article here!

Learn more about Canon here!

A major theme explored is the growing—and often overstated—presence of AI in production tools. Burokas critiques how “AI” branding is being applied broadly, even to technologies like PTZ camera tracking that have existed for decades. While improvements exist, he emphasizes that these systems still fall short of replacing skilled human operators. He also highlights a gap in innovation, expressing interest in more advanced workflows—such as using high-resolution 360° cameras to create dynamic, multi-angle outputs—but notes that such capabilities are still not widely available in practical production environments.

The article then shifts focus to the evolution of NDI, which has reached its 10-year milestone. While high-end broadcast environments continue adopting SMPTE ST 2110, NDI remains for its accessibility and efficiency, particularly with the introduction of NDI|HX3, which leverages H.265 compression to deliver high-quality 4K video over standard network infrastructure. This has made it especially appealing for schools, houses of worship, and smaller production teams that lack the resources for more complex IP-based systems.

However, Burokas raises concerns about the future of NDI|HX due to recent licensing changes by Via Licensing Alliance. The restructuring of H.264/AVC licensing fees—moving from a flat cap to a tiered system—could significantly impact both streaming providers and hardware manufacturers. The author cites examples like HP and Dell disabling HEVC support in their devices over relatively small cost increases, illustrating how sensitive the market is to licensing fees.

Ultimately, the article questions the long-term viability of H.26x-based NDI workflows. Since many NDI|HX products rely on these codecs, rising licensing costs could lead to higher prices or reduced adoption. Burokas suggests that companies like Vizrt may need to explore alternative codecs or partnerships—such as with Open Media Transport—to ensure flexibility and sustainability. While NDI remains a powerful and widely used tool, its future—particularly in its compressed HX form—may depend on how the industry adapts to these evolving licensing challenges.

Read the full article by Anthony Burokas for StreamingMedia HERE

Learn more about NDI HERE

Learn more about Marshall HERE

The discussion covers how the Cradle Series RF02 brings encoding, decoding, transcoding and protocol conversion into a single system. With support from devices like CUBE X1 and CUBE R1, users can manage routing, multiview, recording and full production workflows within a compact 2U setup.

Designed for flexibility and scalability, it enables users to build complete production environments using NDI, all managed through a centralised interface.

Learn more about Kiloview RF02 HERE

Learn more about Kiloview CUBE X1 HERE

Learn more about Kiloview HERE

Canon’s latest iteration pushes those boundaries even further. The new 40-1200mm lens offers an expanded focal range, making it the longest cine-servo lens currently available. Designed with flexibility in mind, it supports both PL and RF mounts and covers Super 35mm sensors, while also offering full-frame compatibility via a 1.5x extender. With the extender engaged, the lens can reach an impressive 60-1800mm range, giving filmmakers unprecedented reach without sacrificing versatility. Despite these enhancements, Canon has managed to maintain a similar size and weight to its predecessor, making it practical for field use.

The article emphasizes how this lens continues to bridge the gap between cinematic storytelling and broadcast functionality. By combining extended zoom capabilities with manageable ergonomics, Canon is reinforcing its commitment to hybrid production workflows. The new Cine-Servo lens not only surpasses its predecessor—the long-reigning 50-1000mm—but also redefines what’s possible for capturing extreme distances and fine detail in a single, unified tool.

Read the full article by Alec C. Cohen for ProVideo Coalition HERE

Learn more about Canon HERE

PowerVault’s biggest advantage is its versatility. It supports numerous battery formats—including V-Mount, G-Mount, Sony BP-U, Canon LP-E6, and even AA and 9V batteries—allowing users to charge multiple battery types simultaneously without juggling separate chargers. The system also enables stacking Snap packs for parallel charging, with the ability to handle up to 25 packs at once. This streamlined approach reduces clutter and improves efficiency, making it ideal for fast-paced production environments.

Another standout feature is Power Sharing Mode, which allows batteries to redistribute power between bays without needing an external AC source. This creates a self-contained, off-grid power solution that can keep essential gear running in remote locations. Additionally, built-in USB-C and PD Pro outputs (140W and 65W) transform PowerVault into a central power hub capable of running cameras, monitors, laptops, and more directly from the unit.

PowerVault also incorporates modern design elements and smart technology. Its GaN-based power architecture ensures efficient performance, while its IP65-rated enclosure provides durability for field use. Users can monitor and control the entire system through a dedicated Bluetooth app, offering real-time insights into battery levels, health, and charging status. Powered by Core SWX’s Voltbridge platform, the system enables reliable communication across all connected batteries.

Overall, the Core SWX PowerVault represents a significant evolution in production power management. By combining modular design, multi-format compatibility, and advanced power-sharing capabilities, it offers a highly adaptable solution that meets the demands of today’s complex production workflows.

Read the full article by Erik Naso for NewsShooter HERE

Learn more about Core SWX HERE

Built for OpenGear workflows, the OG Gen 10 integrates seamlessly with Ross DashBoard, allowing operators to control multiple units from a single interface. It also supports distributing a house reference signal across an entire facility, making it a practical solution for centralized sync management. For added flexibility, users can configure settings directly on the device using DIP switches, ensuring operation even without network access or software control.

The result is a purpose-built solution that prioritizes reliability and ease of use. By focusing on deterministic performance and straightforward configuration, the OG Gen 10 meets the needs of broadcast teams looking for dependable infrastructure without unnecessary complexity. Now shipping, it adds a valuable tool to AJA’s OpenGear ecosystem for modern production environments.

Learn more about AJA here

Read the full transcript below:

We’re on the AJ booth with Abe and we’re looking at the new Open Gear OG Gen 10 sync generator. >> So, a we’re looking at a a sync generator here. >> Yes, we are. We’re looking at a sync generator. It’s a simple but amazing type of thing, you know? I mean, you you got to synchronize everything in a broadcast facility, don’t you? >> Absolutely. >> Yeah. So, this this this is it. I mean, new new for NAB 2026. We’re seeing this for the first time here. It’s the OG Gen 10. I love saying OG. Open Gear OG. It just it just sounds right. The the the Gen 10 is just that. It’s a sync generator. Um the the Open Gear version here, you have you have nine synchronized reference outputs. You can actually have two different groups of independent outputs. So, you know, you need to generate a little bit of Black Burst, a little bit of tri level, you can do that with OG Gen 10. Uh because it’s open gear. Uh we originally made this as a mini converter uh way back in 2007 actually to great fanfare because simple sync generators are actually kind of rare in this world. Um but the open gear version actually affords some really cool advantages here. I mean obviously you have Ross dashboard available to you. So you can have multiple OG gen 10s in a single open gear uh frame and you can control them all with one piece of glass. That’s always a nice thing. We love Ross dashboard. Um, you know, if you had in this situation, we have multiple different kinds of open gear boards all in one frame. We’re controlling them all through just one interface. It’s super super convenient. Also, these Ross Open Gear frames, they have uh reference inputs on them. So, you could actually have a house reference signal and it’s like, okay, well, I want to distribute that signal. Run that into your open gear frame that has OG 10s in it. The OG Gen 10 grabs that reference and it can replicate it out all of its outputs to send throughout your facility. It’s really, really simple, but sometimes the really, really simple products are what people really want because we don’t want to put any extra fluff in here. You know, your sync is very, very important. That keeps everything lined up. So, you know what? Purpose-built device that just does that. It’s deterministic behavior. You know, exactly what it’s going to do and it’s just going to do it all the time. >> Yeah. So, the configuration switches you you have on there, what are they doing? Because you can control most of it through the UI, I guess. >> Yes. Yeah. I mean, you control absolutely every feature through the UI, but since it’s such a simple type of thing, we put DIP switches on there, too, just in case you don’t have a laptop there. You can’t network in and pull up dashboard. You can configure, you know, you you you can have outputs one, you know, we got output one through four. You can switch it to SD or HD, 5 through 9, SD or HD. You can control black or bars. You can say, “Hey, I’m doing 5994. I’m doing 50.” So all of the stuff can be controlled through DIP switches if you don’t have a laptop handy to to hook up and run dashboards. So >> it’s simple product, simple solutions, you know. >> Amazing. So is this new for NAB? >> Yes, new for new for NAB 2026. Um yeah, this is the first time the public’s seeing it. And you know, a lot of people asked us for this uh for a really long time. So I’m very very happy that we have it out now. >> Shipping now. >> It is shipping now. >> Where can people find out more information, Abe? >> Come on to aja.com. Uh you’ll you you’ll find uh the OG Gen 10, all the information about it, plus all of our other Open Gear products and everything else that’s in this booth, eja.com. And you know, any questions, you can always contact us. Hey, >> thank you very much, Dave. >> Thank you so much.