NEW! Atomos Ninja RAW

ProRes RAW Monitor-Recorder with Camera Control for HDMI & Mirrorless Cameras

Introducing Ninja RAW – a compact 5‑inch HDR monitor‑recorder designed for affordable, high‑quality capture and precise on‑set monitoring across filmmaking, broadcast, and content‑creation environments.

Its bright 1500‑nit HDR touchscreen provides clear visibility indoors and outdoors, while direct HDMI recording captures Apple ProRes and ProRes RAW straight from the camera sensor to CFexpress Type B or external USB‑C storage for fast, reliable results.

Atomos Ninja RAW
MPN: ATOMNJRW01
$699.00 MSRP

Ninja RAW supports a wide range of professional codecs, including ProRes RAW, ProRes RAW HQ, ProRes LT, ProRes 422, and ProRes 422 HQ, and is fully compatible with leading NLEs. USB‑C camera control is available for supported models, giving access to key settings such as start/stop, ISO, shutter, aperture, and white balance.

Essential monitoring tools are built in, including EL Zone false color, waveform, vectorscope, and focus peaking, while creative features like Onion Skin overlay support frame‑accurate alignment for VFX, animation, and continuity‑critical work.

Dual USB‑C ports offer flexibility for external storage or optional network adaptors, and the rugged, production‑ready design ensures dependable performance on set. With flexible power options for both studio and field use, Ninja RAW combines advanced ProRes RAW recording, professional monitoring, and a bright, portable form factor in a single next‑generation device.

To support the global launch at the end of the month, Atomos has prepared marketing assets, including product images, technical specifications and a Sales Guide. Atomos kindly asks that you use these materials to help deliver a strong, co-ordinated release across all sales channels.

Key Features of Atomos Ninja RAW

• Super-bright, 1500nit, 5-inch HDR touchscreen display  
• Capture Apple ProRes, ProRes RAW, Avid DNx, or H.265 to CFexpress Type B or external USB‑C storage 
• Supports ProRes RAW, ProRes RAW HQ, ProRes LT, ProRes 422, and ProRes 422 HQ 
• Compatible with leading NLEs including DaVinci Resolve, Adobe Premiere Pro, Final Cut Pro, and Avid Media Composer 
• USB‑C camera control for supported models, including start/stop, ISO, shutter, aperture, white balance, and touch‑to‑focus 
• Professional monitoring tools including EL Zone false color, focus peaking, waveform, vectorscope, and more 
• Onion Skin overlay for frame comparison and precise shot alignmentDual USB‑C ports for external storage or optional network adaptor (sold separately) 
• Rugged, production‑ready design 
• Flexible power options: NP‑F batteries, USB‑C power banks, or DC input

Atomos IN STOCK at Broadfield

Atomos Ninja TX GO
5″ HDMI & Wi-Fi Monitor-Recorder with brightness of 1500nits.
IN STOCK!
SKU: NinjaTXGO
MPN: ATOMNJTX02
$799.00 MSRP

Atomos Shinobi 7 RX
7-inch HDR screen HDMI & SDI Monitor with a peak brightness of 2200nits
IN STOCK!
SKU: SHINOBI7RX
MPN: ATOMSHBRX1
$799.00 MSRP

Atomos Shogun Ultra
7″ HDMI/SDI & Wi-Fi Monitor-Recorder with 2000 Nit brightness
IN STOCK!
SKU: SHOGUNULTRA
MPN: ATOMSHGU01
$1,199.00 MSRP

With the Ninja Phone, Atomos has addressed earlier limitations and packed powerful features into a device that seamlessly integrates with your mobile workflow. Whether you need a portable monitor or a full-on recording solution, the Ninja Phone offers unparalleled convenience and quality in a compact package. Don’t miss Kofi’s breakdown of its latest upgrades, including 4K 30fps recording, enhanced cloud integration, and its ability to stream to platforms like YouTube and Facebook with ease.

Watch the full video from Kofi Yeboah below:

Learn more about Atomos Ninja Phone HERE

Learn more about Atomos HERE

Moreover, the new Ninja introduces two additional exposure tools, featuring false color measured by IR values and false color measured by stops. Cinematographers benefit from these tools, enhancing exposure options for better control. The inclusion of a record schedule is a noteworthy feature, allowing users to automatically initiate and conclude time lapses, streamlining the setup process and eliminating the need for constant monitoring.

Furthermore, the new Ninja provides H.265, ProRes, ProRes RAW, and DNX formats without additional costs, eliminating the need to purchase the EXT ra codex as required by the older Ninja. The camera and Cloud feature facilitate real-time access to 4K 422 10-bit H.265 files, enhancing workflow efficiency. Additionally, both the new Ninja and Ninja Ultra support remote viewing and high-quality streaming to up to four devices, including other Ninja or Ultra devices with the Connect module. Compatibility extends to iPad, MacBook, or phone, broadening the scope of accessible devices.

A significant enhancement is the introduction of ezone or AR false color to the new Ninja, contributing to its overall value proposition. The ability to sell the old Ninja to offset the cost of the upgrade further strengthens the case for transitioning to the new model.

Watch the full video Victor Laforteza HERE:

Learn more about Atomos Ninja HERE

Learn more about Atomos Ninja ULTRA HERE

Learn more about Atomos HERE

One significant enhancement is the expansion of codecs available in the Shogun and Shogun Ultra, making them even more versatile. The Shogun now offers 6K Apple ProRes RAW (and 8K with the Shogun Ultra), along with Apple ProRes, DNxHD, and H.265, the latter of which was previously accessible only as a paid option. This broadened codec support ensures better consistency and compatibility across various production requirements. These two Shogun models share the same differentiating features introduced in the new Ninja and Ninja Ultra lines, further streamlining the user experience.

One of the key distinctions between the Shogun and Ninja lines is the Shogun’s brighter 2000nit 7-inch screen, which ensures excellent visibility in various lighting conditions. Furthermore, the Shogun boasts fully integrated connectivity, including both 12G-SDI and HDMI inputs and outputs. This feature enables cross-conversion, eliminating the need for additional components, which is a notable advantage over a Ninja equipped with Atomos Connect. Additionally, the Shogun offers more power options, featuring an NP battery slot and an integrated 2.1mm locking jack DC input socket, making it adaptable to a wide range of setups.

The Shogun Ultra, in particular, is optimized for use with cinematic cameras, offering the capability to record full-quality files to Apple ProRes RAW at up to 4K 60p while simultaneously recording HD 60p to H.265. It also supports automatic matching of filenames, timecode, and record trigger from many popular camera models, such as ARRI, Canon, RED, and Sony. This makes it an excellent choice for demanding cinematographic productions.

Both the Shogun and Shogun Ultra models come with an innovative 4K camera-to-cloud mode, allowing users to record and upload higher quality bitrate H.265 videos with increased framerates and customizable parameters. These files are lightweight enough for efficient camera-to-cloud workflows while maintaining exceptional quality for immediate use on social media, sports reporting, or news gathering.

Another noteworthy feature is the integration of Atomos RemoteView. This groundbreaking technology enables users to share live views from their Atomos screen with other Atomos monitors and various devices, including iPads, Macs, and Apple TVs, all done wirelessly. This capability opens up exciting opportunities for production teams to monitor on-set activities and view shots from connected cameras from anywhere in the world. RemoteView offers a unique set of features not typically found at this price point, enhancing collaboration and remote monitoring in the production process.

The Shogun Ultra goes a step further by offering lower latency cloud connectivity and higher throughput, thanks to its integration of Wi-Fi 6E technology. Atomos continues to demonstrate its commitment to staying at the forefront of technology by incorporating this cutting-edge Wi-Fi standard into its cloud-enabled products, ensuring a smoother and more efficient user experience.

For existing users of the Shogun Connect, there’s good news. AtomOS 11 will be made available as a free firmware update, ensuring they can take advantage of the latest features and enhancements. Additionally, it’s important to note that the Shogun Ultra is poised to replace the Shogun Connect, making it an enticing option for users seeking to upgrade to the latest and most advanced capabilities in camera-mounted monitor-recorders.

In conclusion, Atomos has raised the bar once again with the introduction of the Shogun and Shogun Ultra. With their advanced features, expanded codec support, improved connectivity options, and innovative technologies like AtomOS 11 and RemoteView, these devices promise to be invaluable tools for content creators, filmmakers, and production teams looking to take their projects to the next level. Whether for cinematic productions, live events, or on-set monitoring, the Shogun series is poised to deliver outstanding performance and creative possibilities.

Read the full blog post from TheBroadcastBridge HERE

Learn more about Atomos Shogun HERE

Learn more about Atomos Shogun Ultra HERE

Learn more about Atomos HERE

They’ve crafted numerous articles revolving around ‘The Creator,’ a high-budget sci-fi action spectacle remarkably filmed with the Sony FX3, a prosumer camera. While the concept of action narratives shot on accessible consumer cameras isn’t entirely new (recall the unforgettable ‘Act of Valor,’ captured on the Canon 5D Mark II by the legendary Shane Hurlbut ASC, even gracing IMAX screens), it remains incredibly intriguing to delve into the ‘how’ of it all.

The advantages of employing compact and straightforward cameras are widely acknowledged. Nonetheless, these cameras typically lack the design nuances essential for large-scale cinematic productions necessitating sizable crews. Even though the FX3 is touted as a ‘cinema camera’ and proudly represents Sony’s Cinema Line, it grapples with its own constraints, which evolve into substantial challenges when deployed in substantial big-screen endeavors.

Thus, we sought the expertise of Teevarit Pirompapachoke, a proficient DIT and data wrangler within the Thailand unit of ‘The Creator.’ Teevarit graciously enlightens us on the technical obstacles and methodologies that the Thailand team encountered throughout ‘The Creator’ production, playfully code-named ‘TRUE LOVE’ by their talented crew.

Behind the scenes of The Creator – The Thailand team with DP Oren Soffer. Picture: Teevarit Pirompapachoke from WEDITIT

“Since Atomos isn’t compatible with a 2.76:1 frame line and no customizable software like ARRI, we had to come up with a Frame Chart to see the frame we were going to use. Although it took us days to complete, we used tapes to section off Atomos into our desired frame, and we could customize other SmallHD monitors.  After that, we manually set up (x7) Sony FX3s and (x8) Atomos to be identical for the main and backup cams, along with countless GoPros and Drones that went through all the tests together with the FX3”.

Pairing the Sony FX3 with an Atomos Ninja recorder can greatly enhance your filmmaking experience. The Atomos Ninja recorders are renowned for their high-quality external recording capabilities, providing a range of advantages for your creative projects. Firstly, they enable higher-quality recording, often offering higher bitrates and less compressed formats than internal camera recording. This results in improved image quality and greater flexibility during post-production. Additionally, external recorders like the Atomos Ninja offer a broader array of recording options, including ProRes and DNx codecs, which can be invaluable for various post-production workflows. Furthermore, they come with larger storage capacity, allowing for longer recording times, reducing the need to frequently change storage media. Moreover, Atomos recorders provide advanced monitoring features such as focus peaking and waveform monitoring, contributing to achieving the best possible image quality. While there are additional costs and considerations to manage, the benefits of using an Atomos Ninja with your Sony FX3 are substantial, offering filmmakers the opportunity to elevate their content creation to new heights.

Read the full article from YM Cinema HERE

Learn more about Atomos Ninja HERE

Learn more about Atomos HERE

Watch the full YouTube video here:

Learn more about Ninja Ultra HERE

Learn more about Shogun Ultra HERE

Learn more about Atomos HERE

Control your camera by using the touch screen on the Shinobi 7; Atomos designed the touch screen to give you fast access to the most crucial camera features. Focus on the image and make adjustments of iris, white balance, shutter angle, and ND. With the optional Atomos USB-C to serial cable, support is available out the box for the Z Cam E2 series camera, providing direct control of all the menu configurations. The additional USB and RJ45 control ports on the Shinobi 7 also provide support for future developments, as more options are added for touch screen camera control

Brian Hallett

The Shinobi 7  screen displays a stunning 10+ stops of dynamic range in realtime from Log/PQ/HLG signals. Combined with our unique HDR monitoring features, the Shinobi 7 simplifies the complexities of shooting Log and HDR, helping you to replicate post-production workflows at the moment when it matters most – during your shoot. With Adaptive Cooling, you can also prioritize reduced fan noise or the display’s peak brightness, allowing you to choose between a brighter image on the Shinobi 7 or reduced fan noise.

Brian Hallett

Check out the full overview here!

Learn more about Atomos here!

The Ninja V is an awesome recorder. I feel like 5″ displays are ideal on cameras and gimbals. And also for the price and what it is capable of, I would highly recommend it.

Record like a Ninja!

Eliminate your camera’s internal compression and time limits – record up to 4Kp60 10-bit HDR video direct from your camera’s sensor over HDMI 2.0. Teamed with a 1TB AtomX SSDmini you can now achieve up to 150 minutes of 4K recording on a single drive! And when you’re done, your edit-ready ProRes and DNxHR recordings are stored on affordable SSD drives.

View full video here!

Highlights
– Delivering ground-breaking video production devices for the rapidly growing content creation markets
– Atomos’ technology unlocks the potential of digital cameras, enabling higher quality video and greater creative flexibility at a lower cost
– Founded in 2010 and has since established operations in seven countries
– Key strategic relationships with Apple, Adobe, Sony, Canon, Panasonic, Nikon & JVC Kenwood
– Current core range of seven products, planned to double in next 12-24 months
– Large growth opportunity seen in expanding content creation across the Social, Pro Video and Entertainment markets
– Highly regarded board of directors with broad, global experience
– FY18 revenue $35.6m, FY19 pro forma forecast revenue of $42.2m
– Truly global business with 49% of sales to USA, 30% to EMEA and 21% to Asia
– IPO heavily cornerstoned by institutional investors – almost all previously issued shares escrowed for 6 – 24 months

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AtomOS 10 (10.01 to be exact) comes as a free-to-download piece of software. Once you’ve installed it, you’ll be rewarded with a familiar, yet very different user interface. Since the Ninja V is all about HDR recording and monitoring, Atomos chose to make the different UI elements less distracting and therefore reduced their saturation quite a bit. It’s all about the actual image you’re monitoring, really. But there’s more, obviously.

AtomOS 10

Apart from the less saturated UI elements (a nice touch, much more pleasing to the eye I think), Atomos also changed the arrangement of these elements and even reworked the whole menu system in order to make it easier and more accessible. If you’re updating from an earlier version of AtomOS, it’s pretty clear that this new version is really about cleaning up the user interface. It’s also about keeping the actual image in view at all times, without having many overlaying pages and menus.

The entire user interface has been carefully reworked to cater for the smaller 5″ screen of the Atomos Ninja V.

Improved Features

Once you’re done setting up the unit for your given shot you can easily get rid of all the overlays by just tapping the screen. That’s fine but this will also disable all the crucial information you probably want to keep an eye on, such as audio meters or a HDR waveform. That’s where the newly designed shooting page comes in. Once you’re done with your monitor settings and tap “MON” again, a discrete status bar is the only thing that appears beneath your current image. That status bar includes useful information such as battery status, recording status, an HDR waveform, audio meters and access to all the well-known REC, PLAY, MON and EDIT settings.

One of the major changes AtomOS 10 addresses is the way you select the type of input signal coming from your camera. This setting used to be part of the Monitor page of the menu. Now it can be found on the Input page and that is -at least to me- a much more appropriate place for this particular setting. Jeromy Young, CEO of Atomos, has put together a in-depth walk-through of all the new Atom OS 10 features, make sure to sit back and watch it here…read more