Learn more about Advanced Image Robotics AIR ONE HERE

The Ultimate Fighting Championship (UFC) 309 event showcased not only world-class athleticism but also cutting-edge technological innovation in sports photography. At this event at Madison Square Garden in NY, the UFC Photo Team employed Advanced Image Robotics (AIR) systems flying Sony Alpha 1 cameras with Sony 70-200mm and 12-24mm lenses to capture stunning still photos during the live event. This seamless integration of hardware and software marked a significant evolution in remote photography, enabling real-time content production and delivery. 

The Setup: Precision in Placement 

Two AIR One robotic camera systems were mounted strategically on the lighting truss above the iconic Octagon. One system was placed at the center of the truss, offering a direct overhead view of the action, while the second was positioned in a corner, delivering dynamic angles that highlighted the intensity and energy of the fights. These placements allowed the photography team to capture both dramatic and candid moments with unparalleled precision. 

When asked about the decision to integrate Sony Alpha 1 cameras with the Advanced Image Robotics remote production systems Josh Hedges, UFC Photo Team said “It’s not often that photographers get to use something new that allows us to push our creativity. When I saw the AIR systems I was excited to be able to follow the action in the Octagon to get more creative.”  

Remote Operation and Workflow 

The AIR systems were operated remotely from a backstage production area using an intuitive iPad interface. This system offered full control over camera angles, zoom, focus, and exposure, allowing photographers to adapt to the fast-paced action of the fights in real time. 

Once the photos were captured, the team processed them instantly through an optimized workflow. The images were edited and uploaded directly to ufc.com moments after key events occurred, such as knockouts, submissions, and walkouts. This real-time capability enabled the UFC to engage fans across the globe with near-instant updates, driving online engagement and enhancing the overall viewing experience. 

AUTHOR’S NOTE: I was invited by AIR to view the event live and document the use of their production system. I had an opportunity to play with the AIR App backstage and acted as the photographer for one of the prelim bouts. I am happy to say that the system is so foolproof that one of MY photos was used online despite my lack of professional photography experience. 

Challenges and Successes 

Challenges 

1. Installation: Setting up these events is a highly coordinated effort which means every team must complete their work in the time allowed. The AIR systems had to be mounted, connected, tested and configured before the grid is lifted for the Octagon build which means these systems must be quick and easy to install. 

2. Fast Action: Capturing crisp, high-quality stills of rapid movements demanded precise camera control and robust autofocus capabilities.

Successes

1. Image Quality: The Sony A1’s high-resolution sensors delivered crystal-clear images that showcased the intensity of UFC 309. 

2. Efficiency: The AIR system’s remote operation and seamless workflow drastically reduced the time between capturing and publishing images. 

3. Fan Engagement: The immediacy of posting event highlights online enhanced fan interaction, solidifying UFC’s status as a leader in sports media innovation. 

Impact on Sports Photography 

The success of the AIR systems and Sony Alpha 1 cameras at UFC 309 highlights a shift in how professional sports photography can be conducted. By eliminating the need for photographers to be physically present in challenging or restrictive environments, this setup ensures safety, efficiency, and adaptability. 

For the UFC, this breakthrough represents not only a technical advancement but also a strategic edge in digital content delivery. The implementation of these systems opens the door for broader applications in other live events, from concerts to endurance events to large-scale sports tournaments. 

Conclusion 

The combination of Advanced Image Robotics remote production system and the Sony Alpha 1 cameras at UFC 309 exemplifies the transformative power of technology in live event coverage. By combining the precision of robotic systems with the artistic potential of high-quality cameras, the UFC has set a new standard for real-time content creation, delivering an experience that fans won’t forget. 

As innovations like these continue to shape the future of sports media, UFC’s commitment to integrating cutting-edge technology ensures it remains at the forefront of fan engagement and storytelling. 

Broadfield is your source for the Advanced Image Robotics Camera Kit and REMI Production Bundles. The complete VIDEO production with the Z Cam E2-M4 4K camera is in stock and available now and the phot bundle mentioned in this article is available for quotes and large opportunities… like the UFC. Call your Broadfield Sales Rep at 800-634-5178 to learn more.

Learn more about Matrox REMI Bundle HERE

Learn more about Matrox HERE

AIR One® Robotic Camera Kit and REMI Production Bundle

Buy the AIR One Robotic Camera Kit & REMI Production Bundle between 11/20/24 and 12/31/24 and get TWICE the AIRCloud FREE! Bundle regularly includes 3 month AIR Cloud Subscription. Buy now and get 6 months included with your bundle!!!

SKU: AIR1A2023
IN STOCK!
$9,995.00 MSRP

AIR is the alternative to complicated and expensive remote production. Our IP-native platform simplifies your workflow, minimizes onsite personnel and gear, and radically reduces costs. You can integrate it into your existing system, or use it stand-alone with our cloud-based system. Whether shooting a single cam remote interview or a multicam livestream, AIR is everything you need in one integrated kit at one low price. 

Bundle Includes:

• AIR One gimbal-stabilized robotic head 
• Z Cam E2-M4 4K camera module
• Panasonic 14-140mm lens  
• Zoom motor and mount
• Apple iPad (10th gen) 64GB WiFi 
• AIR App
• Quick release plate
• Power supply
• PoE dongle for iPad  
• Custom-fit high-impact carry case
• AIRcloud 3-month subscription (6-months with Black Friday Special thru 12/31/24!)

AIR One – Capture in 4K
Ready to shoot out of the box, AIR One gives you incredibly accurate pan, tilt & zoom control of a large-sensor 4K digital cinema camera over IP. Turn it on and AIR One self-calibrates, auto-levels, and connects to your network in about a minute. It moves like a human, with smooth multi-speed easing. Gimbal-stabilized and under 10 lbs, you can mount it just about anywhere: on a tripod or light stand, underslung in the grid, down at ground level, or even on a robotic arm. 700 degrees of rotation means you can follow all the action, and output video directly from the robot in HDMI or ethernet via SRT. And, the entire AIR One kit fits into its own carry-on case. 

The Z Cam E2 M4 module that ships with the AIR One bundle gives you great bang for the buck. It provides the resolution and dynamic range you’d expect from a 4K MFT sensor, and works great with low light and high frame rate capabilities. Capture up to 4K ProResHQ internally, as well as H.265 and H.264, and up to 240fps HD. 

A Panasonic 14-140 lens ships with your kit, or you can install any MFT glass up to 300m. You can even swap the lens mount to use EF glass. No other robotic solution gives you so many lens options.

Also included is the AIR zoom motor and mount, giving you incredibly smooth action at any speed. And it’s so quiet that you’ll never worry about it impacting audio on set. 

The eInk display on the back of AIR One gives onsite techs all relevant information at a glance: device status, IP address, and device name. No more wasting time having to dig this information up. 

Many of our users run multiple AIR One robots on a shoot, and love that they easily connect to the permissioned IP network. Even if you’re augmenting your existing system, you’ll find networking AIR One to be the easiest part of setup. Connect video via ethernet or HDMI. Connect stereo XLR audio via 5 pin lemo. 

AIR App – Control From Anywhere
From on-prem or 1000s of miles away, AIR App gives you real time control over the camera with just a touch. The intuitive interface allows for precise movement by dragging your finger over the screen or double-tapping a recall button. 40 programmable presets and a double-tap autofocus feature makes recreating shots easy. Every camera control – from aperture, color shading, F-stop, etc – is fully accessible through the app interface, and a single operator can control up to 6 AIR One robots from one iPad.

AIRcloud – Simplify Your Workflow
You don’t need AIRcloud to use AIR One, but we think you’ll like it so much that we’re giving you three months free. AIRcloud is a production suite with tools to manage and automate your entire camera-to-CDN workflow from one web interface. Using a simple UI, you can:

• Remotely operate your AIR One robot(s) over IP from any distance. 
• Switch fully in the cloud with ultra low latency over standard broadband using OBS, vMix or any software defined switcher of your choosing.
• Diagnose metadata and real-time performance metrics at a glance for every AIR One on your network with our Master Status Dashboard.
• Access ultra low-latency comms – 8X faster than Discord – directly from your app. 
• Digitize shoot prep with our drag-and-drop planner to assign camera locations, cloud instances, gear management, crew permissions, cameras settings and more.  
• Stream out to any CDN. 

Enhanced Efficiency for Remote Productions
To help you increase your sales and help your customers with remote production in ST 2110 pipelines, we’re excited to announce a limited-time bundle with end-user savings of up to $2,500.

Matrox REMI Workflow Bundle

Until December 31st, 2024, you can maintain your margin and offer a package that includes:

• 1x Monarch EDGE E4 Encoder
• 1x Monarch EDGE D4 Decoder
• 4x ConvertIP DSS Converter

SKU: MATROXREMIBUN
$20,970.00 MSRP

This powerful and affordable combination simplifies remote feed acquisition for ST 2110 productions. The Monarch EDGE units provide 10-bit 4:2:2 encoding and decoding, while the ConvertIP DSS converters seamlessly bridge the gap between the EDGE decoders and ST 2110 infrastructure. This bundle will be a hit with customers seeking ST 2110-based remote production workflows. Until December 31st, 2024, you can maintain your margin and offer a package

Watch our Liquid Lunch on Thursday, November 14th at 1pm EST with guest Jim McLean of Matrox for more information on this bundle!

Click Here to watch

Broadfield is your source for Matrox

Matrox Monarch EDGE Encoder
The Monarch EDGE E4 4:2:2 10-bit-capable encoder is ideal for demanding, broadcast-quality productions. 
SKU: MDG4E10I2
MPN: MDG4/E10/I2
$10,660.00 MSRP

Matrox Monarch EDGE Decoder
When paired with a Monarch EDGE encoder, the EDGE D4 decoder provides ultra-low latency, high-quality video transport.
SKU: MDG4DI2
MPN: MDG4/D/I2
$5,410.00 MSRP

Matrox ConvertIP DSS
Matrox ConvertIP DSS is a compact, standalone ST 2110 and IPMX transmitter/receiver device.  experience. 
SKU: CIPDSS
MPN: CIP-DSS
$1,850.00 MSRP

The solution involved the implementation of LiveU’s EcoSystem and Remote Production Solution. LiveU’s IP bonded cellular encoders were used for connectivity, while a REMI production workflow allowed the production team to create a multi-camera live-streamed broadcast with the same gear and crew as their home base in Savannah, Georgia. This solution eliminated concerns about connectivity in different stadiums and venues.

As a result, thousands of viewers tuned in every night, and the quality of the broadcasts attracted the attention of broadcasters like ESPN and NESN. This innovative approach not only saved costs but also enhanced fan engagement, resulting in increased revenue streams from ticket and merchandise sales.

The workflow involved the LU800 production-level field unit connecting to multiple camera sources positioned throughout the stadiums, including cameras in the press box, high home, and center field. Lightweight LU300S encoders were deployed to on-field cameras, transmitting live feeds back to LiveU receivers in the Bananas control room. The show was then switched live and distributed as part of the live broadcast on YouTube.

In the words of Chad Reese, Coordinating Producer of the Savannah Bananas, the entire LiveU EcoSystem simplified the production process, enabling them to deliver high-quality broadcasts and quickly move on to the next one.

Read the full case study from LiveU HERE

Learn more about LiveU LU800 HERE

Learn more about LiveU HERE

Two primary REMI workflow approaches are outlined:

1. In-Studio Production: In this method, SDI feeds from the field are encoded and transported to a central studio over IP, where they are converted back to SDI feeds. This allows broadcasters to manage and produce content as if the cameras were physically present in the studio, reducing the need to send OB trucks, crews, and equipment to multiple event locations.
2. Cloud-Based Production: Cloud-based production involves migrating live production systems from on-premises to cloud-based platforms, often offered as Software as a Service (SaaS). SDI feeds from the field are encoded and streamed to cloud platforms, from which produced feeds are delivered to cloud-based Over-the-Top (OTT) delivery platforms.

The blog post highlights the top five benefits of remote production:

1. Cost Reduction: By minimizing travel expenses and equipment transportation, REMI enables broadcasters to keep resources in-house, reducing costs.
2. Leveraging Existing Infrastructure: REMI allows the use of existing infrastructure for live event production, transmitting data to control centers and reducing on-premises infrastructure requirements.
3. Agility and Flexibility: REMI provides unique workflow options by accessing a broader pool of talent and resources, optimizing resource allocation and facilitating remote work.
4. Removing Geographic Barriers: Geographic limitations are eliminated, promoting remote collaboration among hosts, guests, correspondents, and staff, regardless of their locations.
5. Increased Live Content Delivery: Equipment can be reused across multiple venues to cover various events in a single day, expanding live event coverage and reaching a broader audience.

In conclusion, REMI workflows offer broadcasters a way to enhance the production of live events, making it more cost-effective, flexible, and accessible, while breaking down geographic barriers and increasing the delivery of live content.

Read the full guide from Matrox HERE

Learn more about Matrox HERE

Watch the video HERE:

INDEX
0:00 – Intro
2:07 – Challenges of remote live production
4:25 – Producing a live stream from a trade show
8:57 – SRT-capable apps and encoders
10:28 – Elgato Stream Deck
13:33 – Cloud titling software
20:46 – Participant source acquisition – Epiphan Connect
28:35 – Addressing viewer questions
30:14 – Cloud video production platforms
35:03 – Case study: Going beyond collaboration at Microsoft

Learn more about Epiphan HERE