Roland Fall 2025 Promotions

Roland has announced their Fall 2025 promotion, featuring special pricing on their Streaming Mixers, Video Switchers, and Instant Replay. This limited-time offer runs from November 6th, 2025 through January 7th, 2026. Contact your Broadfield Sales Rep at 800-634-5178 for details and ordering information.

Roland Promos on Streaming Mixers

Save $600 on VR-400UHD 4K Direct Streaming AV Mixer
4K Portable Hybrid Live Streaming Mixer

• Dual Touchscreens
• 7x HDMI Inputs, 3x HDMI Outputs
• USB-C 4K Webcam / Streaming Output

SKU: VR400UHD
MPN: VR-400UHD
IN STOCK!
$6,599.99 reg. MAP
$5,999.99 PROMO
11/6/25 – 1/7/26 Only!

Save $600 on VR-120HD Direct Streaming AV Mixer
SDI Portable Hybrid Event AV Streaming Mixer

• 2x Live Streams at up to 1080p60
• 6x 3G-SDI & 6x HDMI Inputs
• Up to 8 Layers

SKU: VR120HD
MPN: VR-120HD
IN STOCK!
$6,599.99 reg. MAP
$5,999.99 PROMO
11/6/25 – 1/7/26 Only!

Save $150 on VR-6HD Direct Streaming AV Mixer
Portable hybrid event audio/video mixer with direct streaming encoders

• 6 HDMI Inputs, 1 USB, 3 HDMI Outputs
• Simultaneous 1080p60 Dual-Streaming via LAN / USB
• Control up to 6 PTZ Cameras

SKU: VR6HD
MPN: VR-6HD
IN STOCK!
$2,749.99 reg. MAP
$2,599.99 PROMO
11/6/25 – 1/7/26 Only!

Roland Promos on HD Video Switchers

Save $900 on V-600UHD 4K UHD Video Switcher
4K HDR Multi-format Video Switcher with Vivid Color Space

• 4x HDMI, 2x 12G-SDI, 1x RGB Inputs
• 3x HDMI, 1x SDI, Multiview Outputs
• Full 60 Hz Frame Rate Support
• Multiple PTZ & Remote Camera Control

SKU: V600UHD
MPN: V-600UHD
IN STOCK!
$9,899.99 reg. MAP
$8,999.99 PROMO
11/6/25 – 1/7/26 Only!

Save $500 on V-160HD SDI/HDMI Streaming Video Switcher
HD Portable hybrid event switcher with 8 HDMI and SDI inputs each

• 8x HDMI, 8x 3G-SDI Inputs
• SDI, HDMI, USB Outputs
• 1080p60 Resolution Support
• PTZ Control

SKU: V160HD
MPN: V-160HD
IN STOCK!
$5,999.99 reg. MAP
$5,499.99 PROMO
11/6/25 – 1/7/26 Only!

Save $120 on V-80HD Direct Streaming Video Switcher
HD direct streaming video switcher with 4 HDMI and SDI inputs each

• 4x HDMI, 4x 3G-SDI Inputs
• 2x 4K HDMI Inputs with Downscalers
• 3x HDMI, 2x SDI Outputs
• 1080p60 Resolution Support

SKU: V80HD
MPN: V-80HD
IN STOCK!
$3,519.99 reg. MAP
$3,399.99 PROMO
11/6/25 – 1/7/26 Only!

Save $250 on V-8HD HDMI Video Switcher
All-in-one video switcher with 8 HDMI inputs for an all HDMI workflow

• 8x HDMI Inputs
• 3x HDMI Outputs
• 1080p60 Resolution Support

SKU: V8HD
MPN: V-8HD 
IN STOCK!
$1,649.99 reg. MAP
$1,399.99 PROMO
11/6/25 – 1/7/26 Only!

Save $70 on V-1HD+ HD Video Switcher
Professional HD switching solution with all HDMI, and 2 XLR inputs with more audio control

• 4x HDMI Inputs
• 2x HDMI Outputs
• 2 XLR Inputs
• 1080p60 Resolution Support

SKU: V1HDPLUS
MPN: V-1HD+
IN STOCK!
$769.99 reg. MAP
$699.99 PROMO
11/6/25 – 1/7/26 Only!

Save $60 on V-1HD HD Video Switcher
Portable Compact HD Switcher with 4 HDMI inputs

• 4x HDMI Inputs
• 2x HDMI Inputs
• 1080p Resolution Support

SKU: V1HD
MPN: V-1HD
$659.99 reg. MAP
$599.99 PROMO
11/6/25 – 1/7/26 Only!

Roland Promos on Video Instant Replay

Save $150 on P-20HD Video Instant Replayer

• 2x HDMI Inputs and Outputs
• 1080p60 Input & Output Formats
• Slow-motion instant replay and variable speed playback
• Ideal for school sports, esports, and sports training
• Compact, portable, and reliable hardware design

SKU: P20HD
MPN: P-20HD
$1,649.99 reg. MAP
$1,499.99 PROMO
11/6/25 – 1/7/26 Only!

Check out some highlights from that article, below.

How did your A/V career begin?

I grew up in San Francisco and worked in Silicon Valley for ten years. I’ve always been fascinated by TV and film. I was that kid with the video camera. I was a consultant for a music label, and the parent company was the largest Filipino television media network in the United States. I’d always go back and forth to the TV department to see what they were doing, producing, editing.

That was in 2005. This took it to another level because I saw behind the scenes and how to put it all together with the proper tools. Then I jumped in, started researching how to run a broadcast, run cameras, put everything together. There are a lot of moving parts.

What did you learn from working at legendary Bay Area hip-hop station 106.1 KMEL?

Those were my college years, and I consider those five years my boot camp in the music industry. Guys like Sway—I was his little shadow. I did everything from answering the phones. In programming, I saw how records get on broadcast radio, music submissions, and meetings with record executives.

It was an education, finding out how to get things moving with marketing radio. We were producing Summer Jam concerts seeing how that comes together. It was huge to see the inner workings of how music gets played on the radio and how marketing ties in. I was hooked.

▲ Jazzy Jeff’s Playlist Retreat

ROME + ROLAND

You have a long history with Roland A/V products. Can you tell us about how that relationship has evolved?

Before meeting the team at Roland, I had an Internet TV network. We were streaming shows Monday through Friday, and I had a little Roland VR-3. This was before we could do wireless broadcasting. It was awesome because I would take that everywhere, even to remotes. That thing was so awesome and sturdy.

Fast-forward to 2015, and I met the Roland team through Jazzy Jeff. I told them how much I loved Roland products and that I was touring with Invisibl Skratch Piklz as their technical director. I had the VR-4HD on the road with the V-1HD, and they saw me extend a four-input into an eight-input. They thought, “OK, this dude’s kind of creative with his switching set-ups.”

We built a relationship. They connected me with the tech support guys, and I would bug them all the time. I was adding all these different cameras. They knew I enjoyed what I was doing, so they were open to letting me pick their brains.

What makes Roland gear so unique and essential to your work?

It all goes back to the TR-808. That’s how I learned about Roland. I’m a musician, and that thing was a beast—not only physically, but in terms of capability. From every producer back in the ’70s, ’80s, up to now, it’s the standard. I figured, if they were going to go into the Pro A/V side of things, it would be the same philosophy.

To this day, I still utilize the VR-4HD as my backup. It’s my parachute, my security blanket. The audio inputs are great, and the video quality and keying are incredible. How it connects to streaming is seamless. I’ve used Roland Pro A/V gear on all my broadcast media productions. They range from film, TV, and live music events to award shows and sports programs.

▲ V-160HD in Stern Grove Setup

V-160HD IN THE FIELD

Describe the role the V-160HD plays in your setup right now.

The V-160HD is on steroids. That thing is incredible. It’s got everything you need: SDI inputs, HDMI inputs, special effects, sequences to control your camera’s graphics. When you get into it, you’re like, “This is a lifesaver.”

The first thing that we used it for is Stern Grove, a festival in San Francisco for three months during the summer. We’ve got Thundercat, Joan Jett, Thievery Corporation. I needed something that could handle eight inputs, SDI as well as HDMI, then go out to an LED screen that will showcase what’s going on stage. We’re also streaming live on the Internet at the same time, plus using graphics and lower thirds.

Tell us about working A/V at Stern Grove and some of the challenges the V-160HD helped navigate.

There are fewer failure points now from my cameras, because of the SDI and HDMI inputs. I don’t need converters or adaptors anymore. It’s just a home run from the camera into the box. Also, with the capabilities for lower thirds, I store images and bring them up any time. It’s awesome. I have the Stern Grove audience, which is 10,000+. Then, we have a livestream audience to cater to as well, which can be 2,000 to 4,000 people. There are different commercials for different audiences, different branding.

Check out the full article HERE.

Learn more about Roland HERE.