YoloLiv NAB 2026 Promo

YoloLiv has recently announced their NAB 2026 promotion. You can save $50 on both the YoloBox Ultra and Extreme models. This promotion is running from April 16th – 30th, 2026. Contact your Broadfield Sales Rep at 800-634-5178 for more information!

Save $50!
YoloBox Ultra
Switcher, encoder, monitor, recorder, all-in-one
SKU: YOLOULTRA
MPN: YOLOULTRA
$1,399.00 reg. MSRP
$1,349.00 PROMO
4/16 – 4/30/26 Only!

Save $50!
YoloBox Extreme
A true powerhouse. More power behind every capability. 
SKU: YoloBoxExtreme
MPN: YoloBox Extreme
$1,999.00 reg. MSRP
$1,949.00 PROMO
4/16 – 4/30/26 Only!

YoloLiv at NAB 2026

Come see YoloLiv at Booth C7940, Central Hall — April 19–22 in Las Vegas. Whether you’re a live streamer, content creator, filmmaker, or production pro, this is your chance to get hands-on with our latest gear and see what‘s next from YoloLiv. YoloLiv will be showcasing the YoloBox Extreme and their brand new YoloCam S7!

YoloCam S7 + MFT Lens
Delivers sharp 4K60 video with fast autofocus, a 4/3” sensor, and interchangeable lenses for flexible shooting. Paired with an 18mm F1.4 lens, it provides bright, professional image quality with smooth background blur in a compact setup.
IN STOCK!
SKU: YoloCamS7LensKit
MPN: YoloCamS7LensKit
$998.00 reg. MSRP
$799.00 PROMO
4/16 – 4/30/26 Only!

YoloCam S7
Less effort, more quality. AI-powered 4K60 video with fast autofocus, a 4/3” sensor, and interchangeable lenses—built to simplify your workflow.
IN STOCK!
SKU: YoloCamS7
MPN: YoloCam S7
$699.00 MSRP

18mm F1.4 Micro Four Thirds Lens
18mm F1.4 M43 lens with a bright aperture for smooth background blur and professional image quality in a compact design.
IN STOCK!
SKU: YoloLivMFTLens
MPN: YoloLiv MFT Lens
$299.00 reg. MSRP
$199.00 PROMO
4/16 – 4/30/26 Only!

The update also adds LUT support, giving users access to professional-grade color control for more cinematic and consistent visuals. In addition, direct YoloCam control enables operators to adjust camera settings like exposure and white balance directly from the YoloBox, reducing the need for external tools. Workflow enhancements round out the release, including improved source visibility, upgraded multiview monitoring with performance data, enhanced audio mixing controls, and added features like background music support, power-saving mode, and more reliable network configurations. Together, these updates make YoloBox Extreme an even more powerful all-in-one solution for modern live streaming and production.

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The video demonstrates how easy it is to connect YoloDeck to a YoloBox using a simple USB connection and configure the button layout through the device’s settings. Users can drag and drop functions onto a grid of up to 15 buttons per page and create multiple pages for different workflows. This flexibility allows operators to organize controls based on their needs, such as dedicating buttons to scoreboard management, replay capture and playback, overlay toggles, and video source switching.

A major focus of the walkthrough is sports production. YoloDeck can directly control scoreboard display, timers, and score adjustments for both teams, making it simple to update scores in real time. The controller also streamlines replay workflows with buttons for instant replay playback, capturing clips in the background, or marking precise in-and-out points. In addition, the device can manage overlays, camera sources, PTZ presets, transitions, audio controls, and background music, all from a tactile interface.

The video concludes by sharing recommended button layouts used by sports streamers to maximize efficiency. For simpler productions, a single page can manage scoreboards, replays, and overlays. More complex setups can split controls across multiple pages for video sources, audio, and advanced switching features. Overall, YoloDeck offers a powerful way to speed up live production workflows and make YoloBox-based sports broadcasts smoother and more reliable.

Learn more about YoloLiv YoloDeck HERE

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Throughout the demo, Keith walks viewers through the interface, showing how the YoloBox Extreme can handle multiple video sources including HDMI cameras, USB webcams, NDI feeds, and media files such as images, videos, and PDFs. He demonstrates switching between cameras, building custom layouts, adding overlays like lower thirds and countdown timers, and integrating graphics and web pages directly into a live stream. The device also supports ISO recording of individual inputs, adjustable streaming and recording bitrates, and multi-platform streaming through the built-in YoloLiv ecosystem.

Keith also highlights advanced production tools built into the system, including audio controls, replay functionality for instant slow-motion clips, scoreboards for sports broadcasts, and customizable transitions between scenes. With support for NDI, SRT, RTMP, and other IP video protocols, the YoloBox Extreme can integrate easily with network-based video workflows, allowing users to pull video sources from computers, phones, or other production gear on the same network.

One of the biggest updates Keith covers is a new firmware feature that adds direct camera control for the YoloLiv YoloCam S3. This update allows users to adjust settings like exposure, ISO, shutter speed, white balance, focus modes, and presets directly from the YoloBox interface. Keith demonstrates how creators can save multiple camera presets and quickly switch between them during a production, giving streamers more control over image quality without needing separate camera control software.

Overall, the video showcases the YoloLiv YoloBox Extreme as a versatile and portable live production solution capable of handling complex streaming workflows without requiring a full computer setup. With its expanding firmware features, camera integrations, and wide range of input options, Keith suggests the device is an excellent choice for content creators, live streamers, and small production teams looking for a powerful all-in-one streaming system.

Learn more about YoloLiv YoloBox Extreme HERE

Learn more about YoloLiv HERE

The video highlights the YoloCam S3, a 4K webcam designed to offer better image quality than typical webcams while remaining far simpler to use than a full camera rig. Unlike most webcams that rely on very small sensors, the S3 features a larger 1/3-inch sensor and an f/1.89 aperture, helping it capture more light and produce more natural depth and detail. When tested side-by-side with a professional mirrorless camera setup, the webcam surprisingly holds its own for everyday video uses like Zoom calls, YouTube talking-head videos, and livestreaming.

Another major advantage is simplicity. Traditional camera setups for streaming often require a camera body, lens, power adapter, capture device, and mounting hardware. The S3, however, works with a single USB-C cable plugged directly into a computer. It can shoot 4K at 30fps or 1080p at 60fps, and thanks to oversampling from the 4K sensor, the 1080p image remains sharp and detailed.

The webcam also includes advanced features rarely found at this price point. Face-detection autofocus helps keep subjects sharp even when they move, while the software allows users to manually control exposure, ISO, white balance, zoom, and other image settings. These controls give creators more flexibility than most plug-and-play webcams. The camera also performs better than expected in lower-light environments, maintaining usable image quality when lighting conditions are reduced.

While the S3 won’t replace a professional mirrorless camera for cinematic work, the video concludes that it’s an excellent option for creators, educators, streamers, and professionals who want strong image quality without the cost and complexity of a full camera setup. For users upgrading from a basic webcam, the improvement can be significant—making it a compelling choice for modern online video production.

Learn more about YoloLiv YoloCam S3 HERE

Learn more about YoloLiv HERE

Reliable connectivity is essential for high-quality podcast production, and YoloBox Ultra’s advanced network bonding solved one of the biggest challenges: unstable internet. By combining Ethernet, dual cellular hotspots, Wi-Fi, and even Starlink, Kevin ensured uninterrupted streams and clean audio, even during long sessions. With bonding enabled in a single tap, the system automatically managed network stability, removing technical distractions from the production process.

YoloBox’s built-in tools—such as live graphic overlays, multi-camera HDMI and RTSP inputs, and picture-in-picture layouts—allowed Kevin to produce polished, broadcast-ready content in real time. The result was a streamlined workflow that eliminated post-production and kept the focus on storytelling. For Kevin, YoloBox Ultra became more than equipment—it became the invisible foundation behind consistent, professional content creation.

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There were several ways to record, including streaming software like OBS for full control, built-in screen recorders for simplicity, and hardware-based ISO recording with devices like YoloBox for high-quality, computer-free capture. Choosing the right method helped creators protect their content and make every livestream work harder. Check out the video for more:

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hi everyone welcome back to our Channel this is Frank from YOLO live and today I’m super excited to introduce you to YOLO casts Media Center the ultimate stream management Powerhouse you need whether you’re a seasoned streamer or just starting YOLO cast has something incredible to offer let’s dive in before we dive into the media center let me first explain what YOLO cast is Yolo cast is a professional easyto use live streaming platform that allows you to broadcast video and Live Events seamlessly to your audience whether on your website or social media platforms like Facebook YouTube twitch or any rtmp destinations it’s an all-in-one solution for streaming hosting scheduling and monetizing your content some say it’s like YouTube but ad free and offers more control all right now that you have an understanding of what YOLO cast is let’s dive into one of its most important features the media center the YOLO cast Media Center is a featur rich Hub that serves as a repository for your live stream content and more with yoast media center you can easily store organize share stream and embed your archived video content let’s explore the YOLO cast Media Center and see how it can help you efficiently manage your streams YOLO cast makes managing your live stream content a breeze once your live stream ends all videos are automatically saved in the media Center’s video tab here you can transcode download or directly share the replay URL with your friends and on social media you can even embed the replay video on your website or create a new live stream from the replay it’s that simple now let’s talk about simulated live streams in the media center you can upload pre-produced videosos to create simulated live streams this feature is perfect for maintaining high production quality while still engaging your audience in real time you get the best of both worlds creating a new live event has never been easier just click the three dot menu under a video file in your media center and select create new live event this allows you to rebroadcast your video file as a fresh live stream reconnecting with your audience or reaching those who missed the original stream YOLO cast also extends the reach of your content with its embed code generation feature generate an embed code for any video and embedded on your website increasing your content visibility and enhancing your website’s user experience in the media center you can organize all your videos into groups after creating a group you can select the videos you want to embed in a specific order and generate a playlist to embed directly on your website it’s incredibly convenient right managing your files is crucial and the media center makes it easy you can rename files for better identification add them to groups to organize effectively or download them for offline use the robust file management system ensures your content is always at your fingertips need to share your videos YOLO cast’s link generation feature lets you create a download link for your video files simply share this link and others can download your content directly without needing a third party platform transcoding your live streams into downloadable MP4 files is a key feature of YOLO cast with a simple click your video is transcoded and a download link is generated allowing you to share high quality content easily efficient storage management is vital yoast lets you delete videos from its servers to free fre up space for more content this ensures you always have room for your next big stream okay so that’s all of this video I hope that after watching this video you have a better understanding of YOLO cast’s media center and how it can help you manage your streams more efficiently don’t wait to elevate your streaming game subscribe to YOLO cast today and experience the difference click the link below to start a 14-day free trial and see how YOLO cast can transform your live streaming experience don’t forget to like subscribe and hit the Bell icon to stay updated with all our latest tech insights also don’t forget to join our Facebook User Group where lots of our customers share their user cases if you have any questions or would like to know more about YOLO live you can contact us via email at contacto alive.com if your need is urgent you can call us at plus 86137 35812 589 if you need to express your needs through pictures or videos you can also contact contct us via WhatsApp the number is still plus 86137 35812 589 see you in the next video

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Welcome to Punch it Unboxed. My name is Markus. I’m the owner of Punch it. And in this video, I show you how you can live stream with the drone. So once a month we have in our gym the Soi fight. This is a fight event for beginners and there we always make a live stream to improve our live stream. We want to make something different. and I never see in a live stream for a fight event the drone shots. That’s why we try to make in our gym. We want to make all the setup quick as possible. So, we find out with the DJI Mini Pro 5 have the screen controller and you mirror all the screen to your roller box. The problem you have all the information on your screen also in the live stream and this was actually not that nice and we want to improve that too. The easy way you can use a HDMI cable with an adapter. So another way is you buy one more cable HDMI with USBC. Right now we will connect the USBC cable to HDMI and direct to the YOLObox. What is also important first connect the YOLObox with the controller and after turn on. So now you mirror exactly the same screen as you have on the controller and you can go here to the setting in the yellow box cropping and here you can scale the image and make that you don’t have the information on the screen. Just confirm done and all your image is clean and you can screen without any information of your drone. In this way we have only two issues. The one is the green line in the middle we cannot remove but maybe in the community of all the drone pilots someone have the solution. Let us know in the comment. And the second issue when you fly the drone you need to go a little bit more far about we have to zoom the screen and sometime the home point also show up in the live stream. Make sure the home point is out of your frame you want to record is not the best setup but is in my view one of the easiest setup you can make a live stream with a drone. If you want to make a clean image export of your stream you need to have another controller. This is the RC2 Pro and this is very expensive and we don’t want to invest another $1,000 just to make a clean image. And I hope we can help you for your next live stream to improve and make something different than others. If you want to know more about the YOLObox, we made already two different videos. one from the live stream event in the Punch it Fight Night and the other with a more detailed explanation of the Yolobox. I hope you enjoyed this video. Subscribe to the channel and see you in the next on.

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I’ve written about the Yolo Box before. It’s the Android-based tablet with live production software and hardwarebased connectivity. It marries the capabilities of software, the input output of hardware and the portability of a tablet. This market has other entries from Magewell, the director and the director 1 and Sinetri. But Yolo is not only the pioneer in the segment, they also offer the most diverse solutions from the single input mini to the 8 input extreme. It’s a production studio in a tablet. physical inputs, NDI, SRT, RTMP, web inputs, stills, video playback, PDFs. They can all be mixed individually or in self-created multiv- views. You’ve got built-in titles, graphics, scoreboards, audio mixing, viewer comments, remote guests, background music, instant replay, and all of that is handled inside the box. The Extreme can also record internally, both program and ISO feeds up to a frame rate data rate limit. You can encode for streaming. You can multiccast one stream to three different destinations. You can leverage optional integrated bonding capability and have the box auto switch, including switch the video to follow the audio. The internal audio mixer handles each input separately. You can turn channels off. You can solo. You can even do mix minus. So, if you’re self-hosting, you don’t hear yourself with a delay in your headphones. The Extreme is based around a large 11 in or 28 cm OLED screen offering a,000 nits of brightness. It has eight HDMI inputs. Five are autosensing 4K inputs and the other three are manually set HD inputs. There are also two HDMI outputs that can be assigned as program to mirror the YOLO box’s own screen, a customizable multiv- view, or you can select one of the individual input sources. Connectivity includes the gigabit Ethernet, internal cellular, and Wi-Fi. Plus, the Yolo Box will also leverage USB connected sources like a USB modem or a USB to Ethernet dongle for bonding. The Xreme has userreplaceable antennas on either side. You can use the included antennas or use something bigger or something directional. You can record to internal SD card or USB. And USB can also be used with video converters. So adding SDI via USB converter is also possible. So given the [snorts] flexibility of the USB ports, I wish there were more than the two USBA ports and the one USBC. The second USBC is for 45 watts of power input only. Stereo microphone and a line input as well as a stereo headphone port round out the input and output. New to the Xreme, in addition to the many HDMI ports and the external antennas, is more functional feedback from the Yolo box itself. From onscreen CPU load in the menu bar to a pull down status screen that also shows temperature and memory load, as well as encoding and streaming details. For me, this is a welcome addition because it’s it’s still an Android tablet. you’re not going to add RAM, upgrade the GPU or the CPU, or anything beyond what it came with. So, knowing how hard you’re pushing it and what its limits are is the key. Yolo Live has also taken big steps in this regard with posted limitations as you go to adjust various settings like the dual HDMI out warns you about plugging and unplugging cables while in use, using both outputs at 4K, that the audio only comes out one of the outputs, and more. There are pop-up warnings about exceeding the frame rate processing of the chips inside as they can only process so many frames. And your ISO records, your replay, and your streaming all count against that tally. There are warnings about exceeding the total data rate since the Extreme can handle multiple 4K sources and ISOs. Again, you’re not going to open it up and drop in a 4,000 megabyte NVME stick. There’s also warnings about exceeding the total CPU load where it will most certainly start dropping frames, and that makes for sad video producers like me. I hate frame doubling. You come away with an understanding that this is not a $10,000 gaming PC that has an i9 with 24 cores and 32 threads. This is not outfitted with multiple NVME drives at 4,000 megabytes per second. And this does not have an Nvidia 5090 or an A4000 in it. It also doesn’t suck 2,000 watts. This is just an Android tablet. So, the end user needs to adjust their expectations accordingly. At the same time, you’re not going to slip that $10,000 gaming PC into a tiny laptop sleeve, and it’s not going to run off a battery for hours. and it doesn’t include eight video inputs either, nor the well-designed Yolo Box software. The Yolo Box A sell excels at portability and ease of use. The Yolo Box interface itself continues to be revised and updated. There’s still a few user interface irregularities like changing the setting for video source switch or streaming mode gives you a popup while other settings take you to a separate dedicated page depending upon the amount of content or the conditions you need to be aware of. I also feel that several of the top level access panes control things that really ought to be buried in settings like bonding, streaming destinations, recording settings, transition settings. Those are all set once for a project and then just get them out of my way. During a show, I need access to my inputs, my overlays, comments, and the audio mixer. If you’re doing sports, you need replaying the scoreboard. Most everything else does not need to be in a tople ready access pane. But otherwise, the YOLO team continues to deliver a very intuitive user interface that despite its simplicity, delivers considerable power and capability to even the firsttime user. Do you want to do a green screen? It’s just seven taps, including picking the replacement background, and you’re done. Want to build a side byside multiv- view with borders and backgrounds? That’s just seven taps. Do you want to invite remote guests? You need their email address and six taps later, you’re done. You’d be hardressed to find anything simpler. And each of those features works well. New for the extreme interface is a director mode that gives you a preview and program monitor. While I’m personally still lobbying for separate cut and auto transition buttons, as of this writing, it enables the YOLO box to be used in more professional settings where a director will want to see the next shot before it goes live as opposed to singletapping everything in the input list. Akin to that, the Extreme also carries forward the multiv- view of the Yolo Box Ultra so that a director can see preview, program, and inputs in five different layouts where the user can pick what goes into each of the boxes, as well as borders, source names, and audio meters. I chose the Xreme to produce a 2-hour multi- camera live stream at the Texas Production Expo in May for several key reasons. The first was that the Xreme offers the ability to connect five NDI HX cameras. I was only bringing three Tail Air cameras with me, which have internal batteries for backup, but I also wanted the option to leverage a cell phone or two with NDI if I wanted additional camera views. The second thing I wanted was the Extreme’s 11in screen made it easier to have larger input icons and more viewer comments on the screen at the same time. I didn’t want to try to do this on a smaller unit and have to scroll around a lot to find things. Third was the functionality of the wired Yolo deck. It’s a USB control surface. It’s like Elgato’s stream deck but directly connected to the YOLO box. This means I do not need a separate computer or device in between the switcher and the deck, which lightened up my setup. I gave the deck to Kirk Riley, a fellow Yolo Box user, to co-w switch the show with me, and he did a great job. It also made it easy for me to host the show and speak directly to the camera, while Kirk brought up my title, went to the twoot, and then to the guests. And at the same time, I could cut to the close-up camera if I wanted by tapping on the YOLO box that was in front of me. Fourth was the dual video outputs. I set up a multiv- view monitor for Kirk to see the camera inputs and know when it was good to switch to the different cameras. And then I also set up a program monitor so each of the guests could see what the audience sees. Especially important when they were showing off gear. No splitters or additional gear bits were needed. I had a lot of videos to play, show sponsors, local organizations, etc., and that gave us time to go between live guests in the show. Having an icon showing the runtime for each video made it easy to pick a long or short bumper between the guests. The Extreme has external Wi-Fi antennas, but I chose not to use the Extreme as my Wi-Fi hotspot for the NDI I was slinging around because I felt safer using an ASUS gaming router designed to handle 2.5 GB of data through it, and it handled several 30 megabit NDI streams just fine. The show went quite well, but doing a live show on location in a challenging, noisy environment once again reminded me how important audio is. And unfortunately, audio is not the Yolo Box’s strength. For instance, it can’t even mix a mono microphone into both the left and right channels. It doesn’t have EQ. It doesn’t have a limiter. So, I needed an external audio mixer. I used my Zoom Live Track L8 because of the meters on each input, but what I found out that I needed during the show was I really needed limiters on each channel and the Zoom doesn’t have that. We checked our audio levels before the expo and then when we went live hours later in a loud crowded expo hall, we were all shouting over the crowd and we were clipping the audio levels. Lesson learned. The YOLO box doesn’t have a limiter either, so I asked YOLO if that could be added to the box in the next version via software update. Another issue with audio and the playback of the videos is that there’s no way to automatically mute the mics when we play back a video. This is another feature I requested of the YOLO team. Now, I know that having a dedicated audio op would have saved us on both the audio clipping and the audio mixing, but audio is the forgotten child and hindsight is 2020. If the videos could be set to automute everything else, that alone would have made it work much better. There’s a background music playlist feature, and after the show, I thought that a video playlist feature would be handy to help automate the playback of the videos. So we could ensure that everyone got at least one play by going through the list and also having it automatically continue to the next video until we were ready to come back to show. Having used the extreme for this in other shows, I can say it delivers on the Yolo box goal by going probably as far as you can go in the tablet form factor. While earlier models were limited by CPU and GPU chip capabilities, designing the extreme to such an extreme means that using it for HD production is so under the threshold you’ll likely not easily hit its limits. With the design constraints that YOLO has put in place, I had to work pretty hard and use a few tricks like 13 overlays to push the extreme to over 90% CPU. Earlier models could easily be pushed past their capabilities without even knowing and the frame rate would drop drastically. So, I appreciate both the overengineering and also the restrictions to make it hard to do the same with the Xreme. The Xreme is not the camera top or pocketable solution from YOLO. It’s heavy and big, but it’s a fine tabletop solution that I feel delivers on the goal of an all-in-one tablet production solution. What I hope comes next is software updates for the earlier models to help users know when their box is at its limits. As for hardware, I hope YOLO takes the lessons learned from the extreme and delivers updated Mini and Pro models. Similarly overengineered for optimum operation. Not everyone needs eight inputs. So, the three input pro and the one input mini, two if you use the USB, still have their markets and deserve better products that deliver true 60 and true 50 frames per second reliably every time. Also, YOLO’s quiet little remote guest feature is impressive, but it requires the mix minus capability that’s only available on the latest Ultra and Extreme to really be usable to any self-hosted production. New units with a CPU upgrade could make remote guest shows with the smaller boxes a reality at last. Now, I don’t know where YOLO’s naming convention goes from here, but I don’t think there’s a need for a tablet with greater than eight inputs. The Extreme will be at the top of its class for a while. Now, YOLO can focus on upgrading the other units and standardizing the software and capabilities across their [music] product line. Thanks for watching. >> [music] [music]