NewBlueFX 30% Off Holiday Sale!
By Jim Bask
30% Off NewBlueFX Products!
PLUS, Specials on Titler Pro 5 and TotalFX
Now through 12/30
30% Off NewBlueFX Products!
PLUS, Specials on Titler Pro 5 and TotalFX
Now through 12/30
Epiphan Pearl 2 Now Starting to Ship!
Units are on allocation. Please place your orders now.
Palo Alto, CA, December 15, 2016 – Epiphan Video, a leader in professional audiovisual capture, recording, and streaming products, announces the launch of Epiphan Pearl-2 Rackmount™ and Epiphan Pearl-2 Rackmount Twin™. These all-in-one live video encoders are the newest versions of Pearl-2™, now ready for installation in an AV rack.

Mobile streaming presents a new paradigm for live streaming. Imagine being able to switch with a compact unit with several wireless cameras or mobile phones that can be mounted on helmets or placed at different locations.

Jabez Olssen has had a career any editor would be envious of, from his first assistant editor gig on Lord of the Rings: Fellowship of the Ring. He also edited The Lovely Bones, all three Hobbit movies and, most recently, Rogue One: A Star Wars Story. And as an additional editor got to work with the legendary editor, Michael Kahn, for director Steven Spielberg, editing The Adventures of Tintin.

Hopefully, we caught your attention with our last couple of posts about next-generation Thunderbolt 3. What we didn’t mention was that the new technology for your storage and display devices will not be plug-compatible with your first- and second-generation Thunderbolt gear.
This one update for Media Composer is one that every Media Composer editor has been waiting for, well, their entire editing career! Not only does this feature update include welcome features like Frame Flex rotation toggles (90 deg clockwise and counterclockwise), but a fix has come to an issue that has plagued MC editors for years

Avid’s MediaCentral Platform makes media assets more quickly and easily available for WGBH’s news and public affairs programs
Watch Epiphan Video make a special announcement on Facebook Live about Pearl-2.

What is the biggest issue with VR productions at the moment? Is it lack of standards?
The biggest issue in VR is straightforward workflows — from camera to delivery — and then, of course, delivery to what?