Avid’s long-planned shift in product strategy reached a major milestone this week with the release of a new, streamlined and fully web-accessible version of the company’s MediaCentral enterprise software suite for media production and management.
SSDs offer two big advantages when it comes to storage on the move. Very fast speeds, the ability to withstand knocks, and their incredibly light weight form factor. Often not much bigger than a credit card, SSDs are a great thing to have around if you want to back up or copy footage on location. G-Technology’s R-Series is designed to withstand a 3m drop, with IP67 water resistance, and the abilty to withstand 1000lbs of crushing force. Which will come in handy if you are prone to leaving your drives in the path of the average car.
We know that many of the creative community and apple users are thinking about adding live streaming and video production gear to their Mac-Based computer systems. So, we decided to break down some of the best “tried and true” ways to add multiple video cameras into your mac supported video streaming software such as: Wirecast, xSplit, OBS and MimoLive. We also discuss how the WebRTC and browser-based live streaming solutions such as Facebook and YouTube Live.
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Review: FXhome HitFilm Pro
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Tutorial: Live-Switched Worship Video with PTZOptics Cameras and Wirecast 9
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Avid Announces Availability of MediaCentral | Editorial Management for Post Production Workflows
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July/August 2018
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Publishers Learn NewFronts Equation: Content + Scale = Impossible
Streaming Video Exploration Makes the World a Little Smaller
Virtual Reality Development Is Moving in the Wrong Direction
Educators, Prepare With This Supply List for Teaching With Video
Testing HEVC: Please Take a Moment to Help Measure Performance
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Review: FXhome HitFilm Pro
This article continues our series of reviews of alternative nonlinear editors from the perspective of a longtime Premiere Pro editor with a look at HitFilm Pro from FXhome.
I’ve been carrying a laptop Mac pretty much since the category was created. Although they have become thinner, lighter and much more powerful than the early days, mobile devices are just easier to bring along. I always have my iPhone with me and in most cases I have my iPad Pro 10.5” with me. The iPad is becoming more and more useful as a potential MacBook Pro replacement. As a matter of fact I’m on a plane as I write this post on my iPad Pro.
Filmmakers all over the world are embracing an affordable new route to higher-than-4K video recording. It’s just a few weeks since Atomos enabled support for 5.7K Apple ProRes RAW recording from the Panasonic EVA1 with the Shogun Inferno monitor/recorder, but filmmaker David Fernandes and DP Gregory Bennett have already become the first to use 5.7K ProRes RAW on a full-scale production
Great 3 part video series from LiveU Solo Product Manager Daniel Pisarski about the new Solo Cloud Graphics. If you want an easy and affordable way to do realtime cloud based graphics, this is a great tutorial on how to do them.
The new version of NewBlue’s on-air graphics solution, Titler Live 4, offers live streamers and broadcast professionals a solution at a fraction of the cost of competing systems.
Our office opens with an engineering and support team that provides professional-level support for Hollywood editors.
While cameras like Panasonic’s GH5 and GH5S push the boundaries of what you can record to an SD card, it still falls to external recorders to pull the highest quality video signal out of your camera. With Atomos’ new Ninja V, you can record up to 4K/60p video in Apple ProRes HQ 422 (10-bit) or in AVID’s DNxHR HQX format. You can also record full HD video at up to 240 fps.