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BROADFIELD DISTRIBUTING PRODUCT LINES WELL REPRESENTED AT CINE GEAR 2019

BROADFIELD DISTRIBUTING PRODUCT LINES WELL REPRESENTED AT CINE GEAR 2019

By Adam Noyes 0 Comment October 4, 2019

Pictured: Atomos Neon line

Broadfield Distributing is a value-added reseller of live production and streaming, post production and filmmaking; and professional video storage solutions. With more than 50 product lines available from Broadfield it is no surprise that many of them would be exhibiting at Cinegear 2019 – the premier annual event for professionals engaged in the technology, entertainment and media industry.

Cine Gear features new product and service introductions, 30+ complimentary seminars led by industry leaders, master classes, film competition, awards ceremony, special screenings in state of the art theaters and ample opportunity to network with peers within a studio environment and more than 300 exhibits including Atomos, RED, LaCie, G-Technology, Glyph, SecureData, mLogic, SmallHD, Teradek and CoreSWX.


RED Digital Cinema is hosting an Open House at it’s RED Studios Hollywood location May 31 – June 1 during Cine Gear Expo 2019. Attendees can get hands-on with RED RANGER and DSMC2 cameras, along with workflow demonstrations of the latest in real-time playback, edit and color grade of 8K footage.


Atomos Limited, (ASX:AMS) (“Atomos”), the global leader in precision monitor-recorders and switchers for the cinema industry and content creators, today announced the introduction of Neon, an all-new line-up of precision 4K HDR field monitor-recorders for on-set or in-studio production where reliable and trustworthy monitoring is essential for the digital darkroom and the video village on today’s sets. Neon comes in four screen sizes, 17”, 24”, 31” and 55”,ensuring that no matter the critical production usage, every crew member sees an accurate image representation so directors know with confidence that they have got the shot, that cinematographers ensure consistent exposure, focus pullers maintain the sharpness of an actor’s eyes, and so editors and color graders can lock down the creative intent from shot to shot.

Check out the full article HERE