Cellular Bonding for Live Event Streaming: The State of The Art
By Jim Bask


Avid’s crazy Pro Tools complete plug-in bundle is an easy purchase to make.

Nobody wants to live stream video using flaky equipment. We stream the Live @ Epiphan show from our studio each week covering topics related to live streaming.
The NewTek TriCaster TC1 has sports written all over it, featuring 4K, 60p, and built-in instant replay, all designed to give producers the latest and greatest live production tech in a compact package.
A new ‘Superdrive’ being relased from LaCie to ensure data protection.
Storage solution insight from an Avid Specialist Manager.

Editors have used mezzanine codecs to save on storage and network requirements. The two favorite codecs have been Apple ProRes and Avid DNxHD and more recently DNxHR.

Most days I find myself in front of Adobe Premiere Pro CC, both by choice and by the jobs I’m booked on. Yes, I know, for some it’s got bugs and flaws, but for me it’s generally well-behaved.

Recently Avid participated in two events that underscore today’s media-anywhere environment and the importance of the cloud in that journey.

Trying to figure out which editing software is best is a question authors on PVC have indirectly and even directly asked in many different ways. There are numerous considerations when it comes to making a decision about which NLE to use, and all of those options have a laundry list of pros and cons. Very often though, the choices creative professionals make will be more about familiarity than they are about what kind of options that choice affords them.