Sony FS5 4K RAW vs Internal Recording Comparison Plus 40 Minute Discussion with Doug Jensen
By Jim Bask
The Sony FS5 has been around for a year now, and has become quite popular with indie filmmakers, owner ops moving up from a DSLR or those looking to get into 4K Raw acquisition on a budget.

Today’s Webinar
Melbourne, Australia – 13 June 2017: Getting state-of-the-art 4K/HD rack-mounted recording and monitoring for the multi-camera studio or outside broadcast has never been more affordable.
Atomos have announced a new price point for their Shogun Studio rack-mounted 2-channel 4K/HD recorder and playback deck with dual 7” IPS monitors.
Okay, so maybe it’s not a droid. But I have the tech you’re looking for. Many people don’t even realize it’s possible to convert HDMI to USB, but it is. And while it’s not quite as simple as plugging your HDMI™ camera into your laptop (that won’t work!), it’s easier than you think.
Anil Mohabir, Live Video Producer with Asterisk Media, used Pearl-2 for first time to live stream a speaking event at Toronto’s Spoke Club. Within a couple hours, he was up and running – live streaming the event to Facebook and YouTube.
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So, we decided to move to DNxHR. DNxHR is the new codec family developed by the engineers at Avid. After years relying on ProRes for our post-production workflows, we are jumping ship… but it’s no big deal. Really! Here’s a little article that explains why we are embracing this new technology and why you should too.

NEW PROMO ALERT!