Avid recently updated their Media Composer 2018 with several of the most requested features by their user-base. New additions in the latest December 2018 update include a brand new Titling […]
Accelerate post production! Through Avid’s unique HyperBin architecture, MediaCentral | Editorial Management delivers enhanced collaborative capabilities.
Avid editors got a pre-IBC treat as Media Composer 2018.9 was released last week, on the eve of the show.
Notably, the new release introduces DNxUncompressed, a “visually lossless” DNx format with 32-bit float support for effects and color processing. This means you can pull 16-bit or higher-quality formats onto the timeline and maintain full quality through FX, color-correction, or media encoding.
Mason Carden knows every stage of the storytelling process, whether as a videographer recording wildlife off the coast of Cape Cod, to producing the dedication of the Provincetown AIDS Memorial, to editing and delivering polished episodes for AXS TV’s Real Money. He has spent his career in video creation, developing mastery of Avid Media Composer, and building skills for timing and composition that transfer to other parts of the production flow
Editing platforms are constantly competing with each other for supremacy in post production and the war rages on. The best way for these companies to stay ahead of the competition is to stay ahead of the trends.