In an article for Videomaker, Nicole LaJeunesse writes that the PTZOptics Move SE presents a compelling option for small-scale livestreaming productions and individual content creators seeking versatility and ease of use.
The blog post by Mega Media Factory discusses the PTZ Optics Studio Pro, a versatile camera designed for content creators and online streamers. The camera boasts a sleek and compact design, made with high-quality materials, and features a convenient handle. The key specifications include 1080p HD resolution at up to 60 frames per second, 12x optical zoom, HDMI, USB2 and 3 ports, NDI-HX, SRT, and RTMP for direct web streaming.
Paul from PTZOptics recently uploaded a video to YouTube telling us why the PTZOptics Studio Pro is the best camera for studio video recording. The PTZOptics Studio Pro is a high-definition PTZ (pan-tilt-zoom) camera that’s designed for professional studio use. It features a 30x optical zoom, a wide field of view, and various other features that make it an ideal choice for studio production.
YouTube user Lon.TV recently uploaded a video of them reviewing the PTZOptics Studio Pro camera. The PTZOptics Studio Pro is a great camera for 1080p live streaming productions. It offers nice image quality along with a great zoom for a reasonable price. It features lots of video output options including HDMI, NDI HX 3, SRT, RTSP/RTMP, and even a webcam interface via USB.
In this unique video, Team 2 Films is stepping away from their editing roots to showcase their shooting skills. Join Team 2 Films as they embark on an unforgettable journey through the breathtaking landscapes of Switzerland, armed with the cutting-edge RED KOMODO X. The KOMODO X camera is a fantastic, compact, and lightweight choice for capturing stunning footage in a wide range of environments.
PTZ Optics cameras and the ViewStub virtual ticket live streaming software allowed YouTube user Monte Weaver and their long-time friend Daniel to produce a high quality broadcast for a local boxing event. Live streaming events from any location can be is easy when you have the right software and hardware.
Truly mastering the art of capture, the PTZ3 UHD is the best and easiest way of getting the highest quality video and audio onto any network and into any production.
Filmmakers (and Atomos) have been waiting for camera-makers to output raw over HDMI. Now Nikon is the first to launch the long-awaited feature. 2018 was a big year for raw. Between ProRes Raw and Blackmagic Raw, the once proprietary format (if you don’t count the unwieldy Cinema DNG, with files too big for most of us to bother) is now approachable to the mass audience. However, other than the Blackmagic Pocket, which does raw for $1,295, you needed to spend at least $5,000 to get your hands on a camera that would output raw, primarily over SDI.
DSMC2, the latest generation of RED’s camera BRAIN, is not only powerful, but the entire system is extremely versatile. These bodies can house three different sensors: MONSTRO 8K VV, HELIUM 8K, and GEMINI 5K S35. A wide range of modules and accessories expand the possibilities even further. We asked three of our Technical Specialists to describe their ideal RED DSMC2 package. Here’s a look at what’s in Nic’s RED kit.
The RED cinema camera line up, from the outside has always been quite a confusing one to follow. When the company announced a unification earlier in the year, we wrote a layman’s terms articleexplaining the formalisation to just 3 camera bodies