In this article by Atomos, the company officially introduces ATOMOSphere, a powerful new cloud-based production platform and membership ecosystem that transforms the way creators manage, store, and share video content. […]
The article “One Stream, Multiple Platforms: Grow Audiences Faster with Wirecast’s New Cloud Multistreaming Capability” highlights the growing need for content creators to reach wider audiences across various platforms.
Carl from ProAV TV takes a look at Atomos cloud functionality and how it has progressed in recent years. We discuss the practical uses of this technology across the 4 main areas of cloud studio, Live Production, Atomos Edit, Camera to Cloud & Remote View.
Mia Stawinski is an award-winning photographer and videographer who specialises in capturing the raw beauty of nature and wildlife. In this video from Atomos, Mia demonstrates the features of the Atomos Ninja Ultra monitor combined with Sony Ci Media Cloud. This ultimate pairing transformed her entire workflow when capturing wildlife in Botswana.
In the blog post “How GMedia tells great stories in no time with Camera to Cloud” by Atomos for Videomaker, the creative agency for Green Machine Ensembles at George Mason University, uses a Camera to Cloud (C2C) workflow to streamline their video production process.
Atomos Cloud Studio (ACS) is now available! Get affordable subscription-based tools for remote collaboration and live production.
In a recent article written by Bob Kovacs posted to TVTechnology, he discusses how exhibitors at the NAB show will showcase new technology that will advance remote production. The use of cloud computing in broadcast and cinema production has revolutionized the industry by providing greater flexibility, scalability, and cost-effectiveness. The cloud allows media companies to store and process vast amounts of data and content, collaborate with teams in different locations, and access sophisticated software and tools without having to invest in expensive hardware and infrastructure.
KITPLUS recently uploaded a video to their YouTube channel of a quick overview video and demo of the Atomos Shogun Connect that we have been using tethered to a 5G connected iPhone at ISE 2023 in Barcelona. The Shogun records an internal ProRes file as well as an H265 file and uploads the H265 file to, in our case, a Frame.io account for our remote editor to download and edit.
Today, Adobe (Nasdaq:ADBE) announced that its video editing and collaboration tools are the most popular with Sundance Film Festival filmmakers – for the fifth year in a row. This year’s annual Sundance Institute survey found that over two-thirds (67%) of Sundance films used Adobe Premiere Pro or Frame.io to bring their stories to life
The internal production team at Frame.io has been at the forefront of cloud-first productions since day one. See how they’re using the new in-camera integration with RED Digital Cinema cameras to create rough cuts faster than any production in the world—without using a single hard drive on set— by sending 8K REDCODE RAW files directly to the cloud. Creative collaboration has never been this easy, from camera capture to final delivery.