Production & Post Global Viewpoint – August 2017
By Jim Bask
Editing 4K on Avid’s Media Composer
Editors have used mezzanine codecs to save on storage and network requirements. The two favorite codecs have been Apple ProRes and Avid DNxHD and more recently DNxHR.
So, we decided to move to DNxHR. DNxHR is the new codec family developed by the engineers at Avid. After years relying on ProRes for our post-production workflows, we are jumping ship… but it’s no big deal. Really! Here’s a little article that explains why we are embracing this new technology and why you should too.