The State Of The NLE – 2018
By Jim Bask
Adobe Premiere Pro, Final Cut Pro X, DaVinci Resolve, Avid Media Composer…which is the best NLE for which job?
Adobe Premiere Pro, Final Cut Pro X, DaVinci Resolve, Avid Media Composer…which is the best NLE for which job?
It’s that time of year when all the big NLEs announce new features, pricing tiers, formats and must-have-stuff, to draw post production professionals into that most challenging of tasks, trying something new.
If you’re looking for a post on which is better; Avid Media Composer, Adobe Premiere Pro, Final Cut Pro X or DaVinci Resolve as a professional editing software, then this post won’t necessarily give you any direct comparisons, nor directive opinions, but it will hopefully provide you with a ton of facts to make up your own mind.
Media Composer now includes three tiers of product offerings—get the details here.
Trade show time! You know what that means, it’s also time for another big update to the Adobe Creative Cloud suite of video tools and, of course, Adobe Premiere Pro. This NAB season is no exception and while PPro doesn’t get a lot of big, never-before-seen, long-in-the-making, Earth-shattering new features we do get several nice enhancements to some existing tools.
A large part of understanding one’s popularity is to examine WHY it’s popular. And that requires sharing the most brief of history lessons.
This week’s Fries n’ Shake add-on sales opportunities video highlights the various accessories a customer using Avid Media Composer might also need. Whether it’s software or storage any editor using an NLE like Avid Media Composer will probably need some additional equipment down the line.