Before we get started, let’s all agree on some things. First, editing tools do not cut great stories all by themselves—editors do. Second, great editors can be found in a lot of places outside of Hollywood. Third, editors should never think they will only need to learn one tool to build a long, successful career.
Editing platforms are constantly competing with each other for supremacy in post production and the war rages on. The best way for these companies to stay ahead of the competition is to stay ahead of the trends.
A large part of understanding one’s popularity is to examine WHY it’s popular. And that requires sharing the most brief of history lessons.
Just north of San Diego, in the seaside town of Carlsbad, Scratch Media has been producing award-winning video and live events for world-renown brands, nonprofits, and higher-education for over a decade.
Over the 13 years I spent editing Boyhood, which was shot entirely on 35mm film, we found that we needed editing software that was going to evolve and address our needs over that period of time.
Now Available: Media Composer and Media Composer | First 8.9.1. Media Composer 8.9.1 was released on Thursday, August 24th at 12 PM EDT.
Adobe SpeedGrade CC reached end-of-life this week, as Adobe ceased all development on the powerful standalone color-grading application.
Just sharing a color correction video I posted on my personal channel. I often get questions about video equipment, tools, and software so figured I’d share this here too. I’ll be doing more like this, let me know if you dig it!
How to backup your photos and videos when you are not at home and don’t have a laptop! Reviewing the new GNARBOX portable system.
Israeli production and post-production facility Ha-Mitcham is serious about collaborative editing. In fact it has just built its entire business around it.