EDIUS.NET Podcast – New in EDIUS 8.5
By Jim Bask
In this podcast we will introduce the most important new features of the latest update EDIUS 8.5 to you.
Tag: Editing
Watch: Here’s How NAB 2017 Changed Post-Production
By Jim Bask
The Staff at No Film School, created a great video of NAB 2017 focusing on the changes in post production.
Tutorial: Masking & Roto with Mocha Pro
By Jim Bask
Mocha’s powerful planar tracking engine is driven by shapes. In this excellent training video, Dan Harvey goes in-
depth into Mocha’s shape tools for editing roto-masks, tracking obscured objects, layer order and more.
Editing in 4K? How to achieve everything in one powerful package
By Jim Bask
VEGAS Pro was the first editor capable of working with 4K natively on the timeline. No pre-rendering or re-wrapping required. Just drop it on the timeline and get busy with your edit.
2017 Sundance Film Festival Highlights the Creative Synergy between USC Alums and Avid
By Jim Bask
While attending the famed USC School of Cinematic Arts in Los Angeles, most students dream of one day impressing film buffs with their very own cinematic tour de force.
Cover Story: Disney’s Beauty and the Beast
By Jim Bask
Katz was nominated for an America Cinema Editors Eddie Award for Kinsey and won an Eddie Award for her work on Dreamgirls
Avid’s President in Pre NAB Show Discussion
By Jim Bask
The NAB Live Show produced by Broadcast Beat met with Jeff Rosica of Avid for this great interview!
Avid NEXIS | PRO tutorial: Project Sharing in DaVinci Resolve
By Jim Bask
How to integrate DaVinci Resolve into a collaborative workflow with Avid NEXIS
Together, Avid NEXIS | Pro and DaVinci Resolve offer real-time collaboration to help you and your team work together better and faster.
RedShark exclusive video interview with Avid Chairman and CEO, Louis Hernandez Jr
By Jim Bask
RedShark’s David Shapton interviews Louis Hernandez Jr, CEO & Chairman at AVID, on the showfloor at CABSAT 2017
Q&A: Avid’s Matt Feury on State-of-the-Art Avid 4K Workflow
By Jim Bask
Speaking of HDR, how is HDR handled by Media Composer? We support it. We are agnostic to it. It flows through editorially.