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Tag: Editing

Cover Story: Disney’s Beauty and the Beast

By Jim Bask 0 Comment April 7, 2017

Katz was nominated for an America Cinema Editors Eddie Award for Kinsey and won an Eddie Award for her work on Dreamgirls

Avid’s President in Pre NAB Show Discussion

By Jim Bask 0 Comment April 4, 2017

The NAB Live Show produced by Broadcast Beat met with Jeff Rosica of Avid for this great interview!

Avid NEXIS | PRO tutorial: Project Sharing in DaVinci Resolve

By Jim Bask 0 Comment March 29, 2017

How to integrate DaVinci Resolve into a collaborative workflow with Avid NEXIS

Together, Avid NEXIS | Pro and DaVinci Resolve offer real-time collaboration to help you and your team work together better and faster.

RedShark exclusive video interview with Avid Chairman and CEO, Louis Hernandez Jr

By Jim Bask 0 Comment March 29, 2017

RedShark’s David Shapton interviews Louis Hernandez Jr, CEO & Chairman at AVID, on the showfloor at CABSAT 2017

Q&A: Avid’s Matt Feury on State-of-the-Art Avid 4K Workflow

By Jim Bask 0 Comment March 16, 2017

Speaking of HDR, how is HDR handled by Media Composer?  We support it. We are agnostic to it. It flows through editorially.

Editors on Avid: Cutting Faster with Media Composer

By Jim Bask 0 Comment March 16, 2017

Welcome to the second installation of Editors on Avid, a three-part blog series that explores why editors choose Media Composer to tell compelling stories. 

Webinar: Introducing NewBlueFX Filters 5

By Jim Bask 0 Comment March 9, 2017

Join Jim Bask for this weeks webinar on the introduction of NewBlueFX Filters 5

Mocha VR 360 video plug in for Avid Media Composer

By Jim Bask 0 Comment March 3, 2017

Mocha VR introduces the exciting new capability to work on 360 video projects inside of Avid Media Composer.Mocha VR
New! Mocha VR is a groundbreaking new software tool bringing high-end visual effects and post-production workflows to 360°/VR filmmaking.

My ScriptSync Story Started With “Glee”

By Jim Bask 0 Comment March 3, 2017

Avid ScriptSync makes the process of reworking and re-cutting my scenes so much more efficient.

 It frees up more of my time to focus on creative aspects of my cuts, instead of spending excess time searching through footage. Once I’ve watched all the dailies, I know what’s there.  But just because I can remember a certain line reading in my head, doesn’t mean I can quickly and precisely navigate to it.  But with ScriptSync, I’m able to find it faster.

The Best External Hard Drives for Video Editors

By Jim Bask 0 Comment March 2, 2017

 

The professional video editor or filmmaker depends on a reputation for organization and reliability. Nothing can ruin a client relationship or career quicker than lost footage, files or assets — especially without backups.

As such, it’s essential to invest time and money in a good data backup system. Here are some of the most reliable external hard drives to consider.