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Tag: Editing

Webinar: Introducing NewBlueFX Filters 5

By Jim Bask 0 Comment March 9, 2017

Join Jim Bask for this weeks webinar on the introduction of NewBlueFX Filters 5

Mocha VR 360 video plug in for Avid Media Composer

By Jim Bask 0 Comment March 3, 2017

Mocha VR introduces the exciting new capability to work on 360 video projects inside of Avid Media Composer.Mocha VR
New! Mocha VR is a groundbreaking new software tool bringing high-end visual effects and post-production workflows to 360°/VR filmmaking.

My ScriptSync Story Started With “Glee”

By Jim Bask 0 Comment March 3, 2017

Avid ScriptSync makes the process of reworking and re-cutting my scenes so much more efficient.

 It frees up more of my time to focus on creative aspects of my cuts, instead of spending excess time searching through footage. Once I’ve watched all the dailies, I know what’s there.  But just because I can remember a certain line reading in my head, doesn’t mean I can quickly and precisely navigate to it.  But with ScriptSync, I’m able to find it faster.

The Best External Hard Drives for Video Editors

By Jim Bask 0 Comment March 2, 2017

 

The professional video editor or filmmaker depends on a reputation for organization and reliability. Nothing can ruin a client relationship or career quicker than lost footage, files or assets — especially without backups.

As such, it’s essential to invest time and money in a good data backup system. Here are some of the most reliable external hard drives to consider.

Avid Goes 88 MPH ‘Back to the Future’ with Media Composer 8.8

By Jim Bask 0 Comment February 22, 2017

With today’s release of Media Composer 8.8, Avid Technologies brings back two important features not seen since version 7.

It’s rare in the world of software to see features return that we’ve lost. Usually, if a developer drops a feature, it’s due to a lack of popularity, and even if a few users complain loudly about its absence, 

Let’s Edit with Media Composer – What’s New in 8.8

By Jim Bask 0 Comment February 20, 2017

Media Composer has hit some huge milestones in the last 1-2 years.  The additions of both larger than HD projects, as well as custom project sizes was big, but this update is just as big, if not bigger.

Collaborate with Avid NEXIS | PRO and Third-Party Software, Part 2: Final Cut Pro X

By Jim Bask 0 Comment February 20, 2017

It’s no secret that today’s consumers watch more video on more platforms than ever before. To meet this exploding demand, production teams need collaborative workflows that turn out engaging content with incredible speed.

UPGRADE ANY MEDIA COMPOSER VERSION FOR JUST $399

By Jim Bask 0 Comment February 17, 2017

 

 

UPGRADE ANY MEDIA COMPOSER VERSION FOR JUST $399  

Got an older version of Media Composer, Symphony, or NewsCutter—even as far back as version 3? Or maybe you’ve got a more recent version of Media Composer, but let your Annual Upgrade and Support Plan expire? Then we’ve got some fantastic news for you!

First, if you haven’t heard already, we’re bringing ScriptSync and PhraseFind back! And we’ve updated both of these new Media Composer options to be even better than ever.

Why FCPX 10.3 is the NLE of the future

By Jim Bask 0 Comment January 25, 2017

Opinion: Final Cut Pro X might have driven swarms of editors into the arms of Apple’s rivals, but with FCPX 10.3 Apple finally delivered on the promise of the software and, if you edit, you owe it to yourself to leave your preconceptions at the door and check it out. By Khaled Spiewak.

Vegas Pro 14 Brings New Life to the Trimmer Window

By Jim Bask 0 Comment January 24, 2017

The Trimmer window has been a part of VEGAS Pro since the very first version that featured a video editing tool set. However, the window has lead a somewhat conflicted life.

Most users might never even use the window. After all, the very innovation that made VEGAS Pro an instant and enduring success was the efficiency with which the user can edit directly on the timeline. No longer was it necessary to bring your video into an old-school source window first to define in and out points.