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Tag: field_monitors

SmallHD Brightens Lineup with New 13″ Production Monitor

By Jim Bask 0 Comment September 12, 2016

smallhd_13inch-production-monitorSmallHD has added two new 13″ Production Monitors to its lineup that already includes 17″, 24″, and 32″ flavors. The 1303 HDR and 1303 Studio boast 10-bit color engines, full HD, SDI I/O, HDMI I/O, and 3D LUT processing.

SmallHD: New Firmware for Production Monitors

By Jim Bask 0 Comment August 29, 2016

SmallHD released version 1.0 of its firmware for the Production Monitors from series 1700, 2400 and 3200. Find more about the update and, if needed, download the software.

SmallHD 502 and Sidefinder Review

By Jim Bask 0 Comment August 16, 2016

With a 5-inch screen and a 1080p resolution, SmallHD’s pixel-dense 502 monitor is the perfect companion for any small camera or lightweight gimbal. It’s wide color range, huge selection of helpful overlays and professional build quality gives cinematographers a great tool for getting great shots.

SmallHD Announces New Power Solutions for 500 and 700 Series Monitors

By Jim Bask 0 Comment July 19, 2016

SmallHD has an array of new power accessories to make its popular 500 Series (five-inch) and 700 Series (seven-inch) high definition field monitors more versatile.

IBC 2016 Preview — SmallHD 500 And 700 Series

By Jim Bask 0 Comment July 18, 2016

SmallHD’s line of 5” 500 and 700 Series monitors, at 7”, are now compatible with an extended variety of popular and professional industry powering solutions. Previously compatible with popular and affordable Sony L-Series or Canon LP-E6 batteries, the panels are now available with Pro Battery Plate Kits that will allow the usage of top shelf powering systems.

How the SmallHD 1703 HDR Compares to Panasonic and Sony Production Montors

By Jim Bask 0 Comment June 27, 2016

monitorsWe may have convinced you that our new 17-inch production monitor can take a beating, but have we convinced you that the 1703 HDR solves real, on set problems?

Chances are, if you’re already using production monitors on set, you want to know how the 1703 HDR compares to industry standard monitors such as the Panasonic BTLH1700HD and the Sony PVM-A170.

Convergent Design Apollo / Odyssey New Firmaware Released v2016.06

By Jim Bask 0 Comment June 7, 2016

Convergent Design will be releasing Firmware 2016.06, the largest, most comprehensive ever offered by Convergent Design, today, Tuesday, 7-June-2016.  

Twenty-three new features cover functions for Apollo, Odyssey7Q+, Odyssey7Q, and Odyssey7. Twenty-Two fixes and improvements to current functions also cover the same models. And there are new versions of two free software apps. Detailed release notes are included below. All of these updates are free to the owners of the Apollo and Odyssey products. Convergent Design continues to expand upon a product line first delivered to clients 2.5 years ago, including gifting features that were previously charged upgrades.

SmallHD Premieres New Studio Production Monitors at Cinegear

By Jim Bask 0 Comment May 23, 2016

Hot on the heels of SmallHD’s daylight-viewable HDR production monitor announcement at NAB comes “Studio” editions of both the 17-inch and 24-inch sizes. Designed to provide the same level of durability, high-end software capability, resolution and color accuracy as their HDR counterparts, these new 1080p production monitors are designed for controlled lighting environments.

SmallHD Torture Tests HDR Production Monitors

By Jim Bask 0 Comment May 16, 2016

Facing off against baseball bats, off-road vehicles, .40 caliber handguns and more, SmallHD’s new HDR production monitors are truly put through their paces.

Convergent Design Adds Features to Apollo Monitor/Recorder/Switcher

By Jim Bask 0 Comment May 9, 2016

Highlights include synchronization, including delay shift, between multiple cameras, and new dissolve options for the switcher.

Convergent Design announces new features for the Apollo Monitor/Recorder/Switcher. The new A/V Align feature allows the synchronization between multiple cameras to be shifted. Each input can be adjusted for delay individually, and then video and audio delay separately adjusted. This allows for the mixing of brands and models of cameras that can introduce varying amounts of delay to the video and audio outputs.