Pairing the Fujifilm X-H2S with the Atomos Ninja TX GO unlocked a powerful, budget-friendly path to professional filmmaking. While the X-H2S already delivered fast readout, beautiful F-Log2 images, and high-resolution […]
With Ninja TX now shipping, creators are getting their first look at the most advanced Ninja ever made. Atomos recently released a short unboxing video to give users a glimpse […]
When it comes to LED displays, longevity isn’t a bonus; it’s essential. From first install to the fifth year of flawless performance, LED technology should deliver consistent quality, reliability, and […]
In celebration of its 25th anniversary, Absen has officially unveiled a new brand tagline:“Global Leader in LED Display Technology and Solutions.” This new identity reflects more than just a milestone; […]
Filmmaker and Netflix DP Alexandru Don recently put the Atomos Sun Dragon to the test, and it’s safe to say he’s impressed. This groundbreaking light is the world’s first flexible […]
New Jersey is fast becoming a new epicenter for film and television production. With Netflix breaking ground on a sprawling $903 million studio campus at Fort Monmouth, the Garden State […]
Director Michael Fitzpatrick and his team created a speculative advert for Nike using the dynamic combination of the Sony FX6 camera and Atomos Shogun Ultra monitor.
William Rexer: There are 10 episodes and they averaged about 12 days per episode. Fred Elmes shot the pilot. He started slightly before we began the series. Due to scheduling issues, we were all working at the same time. Essentially, we were completing episode eight as the pilot was finishing production. It wasn’t like a traditional show where the pilot was done first, analyzed as to what worked and didn’t work, and then the individual episodes began. Instead, it was all happening at once. Most of HUNTERS was shot in the New York area. Ten days were done in Budapest. We finished shooting last March.
Tom Ohanian, a Digital Transformation Strategist, wrote this piece about the revolution of digital non linear editing.
The DNLE revolution occurred due to a confluence of technologies that continue to affect, improve, and, in some eyes, dilute our everyday lives. From a technology perspective, compute and I/0 capabilities were the main factors for the DNLE growth curve.