YoloBox Update Makes Live Streaming Easier and Better
By Jamie G
Wedding filmmaking just got easier with the YoloLiv YoloBox new software update. The 3.4 update adds a lot of useful tools to anyone in the industry. Wedding Film School on […]
Tag: filmmaking
Panasonic GH5s New Feature
By Jamie G
Panasonic has announced a new feature to the GH5s. ProRes RAW recording is now a feature on the GH5s. This new feature will allow GH5s owners to capture full DCI […]
Angelbird CFast and CFExpress Cards are Fast and Reliable
By Jamie G
After CineChimp experienced every filmmakers and photographers worst nightmare, losing data on a project, he knew he had to find a reliable memory card. Angelbird cards were his solution. With […]
Why Bethel Production added the RED Komodo to their Workflow
By Jamie G
Bethel Production’s Drake Kelch and Jesse Maitland invite their audience into their discussion about the RED Komodo and why users should consider it for their broadcasts.
Atomos Neon Colorist Meetup and Setup for NLE Workflow
By Jamie G
Atomos’s new HDR Cinema Monitor-Recorders, the Neon 17 and Neon 24 features a full array local dimming (FALD) to achieve1000nit/cdm2 full screen brightness, 0nit / cdm2 Black point. With wide gamut DCI P3 coverage, built in LOG transforms for HDR monitoring and custom 3D LUTs for SDR the NEON series provide accurate monitoring for either production or post. With it’s recent launch, now is the perfect time for creators to get to know all bout the Neon and how it can affect their workflows.
Gorgeous RED Komodo 6K Drone Footage
By Jamie G
The RED Komodo 6K was designed for special use applications. The Komado 6K is a smaller option for filmmakers that is great hand-held shooting or mounting. Cinematographer Tim Daust shot “Sunset Field” using the RED Komodo 6K on his Drone.
HUNTERS, Rexer, SIGMA, RED
By Adam Noyes
William Rexer: There are 10 episodes and they averaged about 12 days per episode. Fred Elmes shot the pilot. He started slightly before we began the series. Due to scheduling issues, we were all working at the same time. Essentially, we were completing episode eight as the pilot was finishing production. It wasn’t like a traditional show where the pilot was done first, analyzed as to what worked and didn’t work, and then the individual episodes began. Instead, it was all happening at once. Most of HUNTERS was shot in the New York area. Ten days were done in Budapest. We finished shooting last March.
Sony Artisan Jeff Berlin Talks About The Journey From Stills To Filmmaking & How Atomos Helped
By Jim Bask
Sony Artisan and veteran celebrity fashion photographer turned cinematographer and director, Jeff Berlin admits that his transition to the world of moving pictures wasn’t the smoothest. But one product helped make that move all the easier during his work on the film “Three Days In August”: the Atomos Shogun.