ScreenFlow 9 is Now a Fully Fledged NLE
By Adam Noyes
Review: ScreenFlow 9 was once a dedicated screen capture software. But with the release of version 9 it aims to fill a gap in the market for a versatile, yet very easy to use NLE for Vloggers.
Review: ScreenFlow 9 was once a dedicated screen capture software. But with the release of version 9 it aims to fill a gap in the market for a versatile, yet very easy to use NLE for Vloggers.
Before we get started, let’s all agree on some things. First, editing tools do not cut great stories all by themselves—editors do. Second, great editors can be found in a lot of places outside of Hollywood. Third, editors should never think they will only need to learn one tool to build a long, successful career.
The “all-new” Media Composer 2019, the rare redesign of Avid’s longstanding flagship NLE that debuted on stage at the Avid Connect conference last month, is due for delivery to editors by the end of June, executives said in a conference call with investors yesterday.
Avid (www.avid.com) announced an all-new version of its flagship video editing system, Media Composer, completely redesigned and reimagined for “today’s and tomorrow’s generation of media makers.” Unveiled at Avid Connect 2019, the company’s gathering of media and entertainment users during the 2019 NAB Show in Las Vegas, the all-new Media Composer 2019 was in the spotlight at the company’s booth througout NAB.
The intent with Media Composer 2019 is for aspiring and professional editors, freelancers and journalists to be inspired to work more creatively by taking advantage of a new user experience, a next-generation Avid media engine with distributed processing, finishing and delivering capabilities, a customizable role-based user interface for large teams, and more.
In honor to Avengers: Endgame, Avid is sharing with us the Infinity War’s timeline. The film was edited on Avid Media Composer. Check out this 40 layers timeline analysis.
The Avid Customer Association’s annual Connect gathering kicked off with an exciting reveal of Media Composer 2019. More than just an upgrade, this is Media Composer reimagined to inspire creative storytellers at every level, from beginning students to top-echelon experienced editors.
With Avid CEO Jeff Rosica asserting that entertainment community “needs to be disruptors,” the company unveiled what he described as an “all-new” version of the company’s Media Composer editing system, which is a de facto standard used by most Hollywood motion picture and TV editors. The news highlighted a flurry of announcements that Avid made before more than 1,500 customers Saturday, opening a two-day Avid user event tied to this year’s NAB Show, which runs through Thursday in Las Vegas.
Avid has revealed its latest version of Media Composer, the long-time favorite NLE system for professional users. Media Composer 2019 has been ‘redesigned and reimagined’ from the ground up: a new customizable UI, a next generation Avid Media Engine and new finishing and delivery workflows. Let’s dive in, shall we?
It’s a new year, but the doesn’t mean that the editing software landscape will change drastically in the coming months. For all intents and purpose, professional editing options boil down […]
The more NDI becomes a stable IP workflow for video production the more innovations we will see therein. Now that we can send video and embedded audio over IP, the question is “Where do we go now?”