Panasonic’s PTZ cameras celebrate a decade of innovation, from the traditional box camera and pan-tilt head solution in 1999 to the new models, like the UE150, used in both AR and Virtual Reality.
Atomos is excited to announce co-development with Panasonic of RAW over HDMI from the brand new Lumix S1H to the Atomos Ninja V 4K HDR monitor-recorder. The RAW update will be available free on the Ninja V when released by Panasonic.
Panasonic’s new Lumix S1 might not be able to record 4:2:2 10-bit internally at release, but that doesn’t stop users from having the option straightaway via the Atomos Ninja V […]
From Newtek.com Panasonic has just released the AG-CX350, a new UHD/HD camera which is the very first camcorder to include support for encoding 1080p to NewTek’s NDI® bidirectional IP technology for transport […]
At this years NAB we got a chance to catch up with Delix Alex from Panasonic. He told us all about their family of NDI PTZ cameras including the AW-HN38, AW-HN40, AW-UN70, and the AW-HN130.
Panasonic Media Entertainment Company has announced the immediate availability of a new line-up of professional integrated cameras with built-in Network Device Interface (NDI) support: the AW-HN38, AW-HN40, AW-UN70 and AW-HN130.
Panasonic embraces NDI technology with a new line of products for live streaming.
Among the many features that had users excited about the announcement of the EVA1, external 5.7K raw recording was high on the list.
If you’re using Pearl-2 or AV.io 4K with your Panasonic GH4 camera, chances are you’re trying to capture and encode 4K video.
According to Panasonic’s user guide, the Panasonic GH4 Lumix camera only supports 4K video in Creative Video Mode and when one of it’s 4K video quality settings is configured.
Use these quick instructions to configure your GH4 for 4K UHD or 4K DCI (Panasonic calls this C4K or Cinema 4K) and get ready to capture in 4K!
We may have convinced you that our new 17-inch production monitor can take a beating, but have we convinced you that the 1703 HDR solves real, on set problems?
Chances are, if you’re already using production monitors on set, you want to know how the 1703 HDR compares to industry standard monitors such as the Panasonic BTLH1700HD and the Sony PVM-A170.