Atomos gives the Lumix S1 4k 10-bit 4:2:2 out of the box
By Jim Bask
Panasonic’s new Lumix S1 might not be able to record 4:2:2 10-bit internally at release, but that doesn’t stop users from having the option straightaway via the Atomos Ninja V […]
Tag: panasonic
First NDI® Camcorder released by Panasonic, RedShark Review
By Jim Bask
From Newtek.com Panasonic has just released the AG-CX350, a new UHD/HD camera which is the very first camcorder to include support for encoding 1080p to NewTek’s NDI® bidirectional IP technology for transport […]
Panasonic at NAB 2018 featuring NDI PTZ Cameras.
By Jim Bask
At this years NAB we got a chance to catch up with Delix Alex from Panasonic. He told us all about their family of NDI PTZ cameras including the AW-HN38, AW-HN40, AW-UN70, and the AW-HN130.
Panasonic Delivers Full NDI Line of Professional PTZ Cameras
By Adam Noyes
Panasonic Media Entertainment Company has announced the immediate availability of a new line-up of professional integrated cameras with built-in Network Device Interface (NDI) support: the AW-HN38, AW-HN40, AW-UN70 and AW-HN130.
Panasonic Goes Big With NDI — New PTZ Cameras & Switcher Coming This Fall
By Jim Bask
Panasonic embraces NDI technology with a new line of products for live streaming.
Atomos Shogun Inferno to Support Panasonic EVA1 Raw
By Jim Bask
Among the many features that had users excited about the announcement of the EVA1, external 5.7K raw recording was high on the list.
How to get 4K output from your Panasonic GH4 camera
By Jim Bask
If you’re using Pearl-2 or AV.io 4K with your Panasonic GH4 camera, chances are you’re trying to capture and encode 4K video.
According to Panasonic’s user guide, the Panasonic GH4 Lumix camera only supports 4K video in Creative Video Mode and when one of it’s 4K video quality settings is configured.
Use these quick instructions to configure your GH4 for 4K UHD or 4K DCI (Panasonic calls this C4K or Cinema 4K) and get ready to capture in 4K!
How the SmallHD 1703 HDR Compares to Panasonic and Sony Production Montors
By Jim Bask
We may have convinced you that our new 17-inch production monitor can take a beating, but have we convinced you that the 1703 HDR solves real, on set problems?
Chances are, if you’re already using production monitors on set, you want to know how the 1703 HDR compares to industry standard monitors such as the Panasonic BTLH1700HD and the Sony PVM-A170.