The launch of mobile-first streaming app Quibi, with nearly $2 billion in investment according to The New York Times, shows the mobile viewing trend is only picking up steam.
Industrial Media and its Emmy®-winning television production company, The Intellectual Property Corporation (IPC), are adding a new production hub in New York City. It is the first step in the company’s goal of collaborating remotely with directors, producers, and editors throughout the country.
In this tutorial, we will be upgrading our system to Avid Media Composer 2019. Then we will see how a project created in the previous version migrates into the new […]
With more dramas and films now delivering in HDR, IBC365 asks leading colourists to reveal all about the pros and cons of grading in the format.
If you work in media, it’s likely you’ve heard this sentiment preached repeatedly over the past few years. Rapidly advancing technology has empowered creatives and increased audience demand. Content needs to be created faster, in larger volumes, and in higher quality to meet more sophisticated viewer expectations. Workflows designed for singular platform delivery are no longer viable.
Avid’s past, present and future has, is and always will be about helping creative people play together. Even 27 years ago, when the original Avid1/Media Composer was released, it was all about collaboration. Back then, the big technological breakthrough that took place was the ability to get 30 highly compressed frames playing from a hard disk in a single second.
MediaCentral gives creative teams of all sizes the power to create and deliver more content in shorter timeframes. It accelerates every part of the workflow and is the only media platform that integrates newsroom, sports, post, and live production workflows into a single scalable user experience. It delivers the same high performance and reliability whether you have a small team of two or a global media enterprise with hundreds of distributed contributors.
Looking to speed up your editing workflow? Check out these five gadgets that offer shortcuts you never thought were possible.
Commander of Intergalactic Business Development, Michael Gitig (yes, that is his real job title!) talks to us about the current state of SSDs and on set workflows in todays production world.
Apple ProRes is one of the most respected codecs in the film industry, especially for creative professionals. For years, the codec has been an industry standard that provides filmmakers with the ability to compress their high-quality footage into a format that’s easily editable in demanding post-production workflows.