Post production work can be demanding when it comes to storage. With that, collaboration can also become affected which can have an impact on the general workflow. Lately it seems shared storage and/or working off a network or a cloud-type service has been able to improve this kind of work as many post houses have…
So, we decided to move to DNxHR. DNxHR is the new codec family developed by the engineers at Avid. After years relying on ProRes for our post-production workflows, we are jumping ship… but it’s no big deal. Really! Here’s a little article that explains why we are embracing this new technology and why you should too.
The Staff at No Film School, created a great video of NAB 2017 focusing on the changes in post production.
The NAB Live Show produced by Broadcast Beat met with Jeff Rosica of Avid for this great interview!
Mocha VR introduces the exciting new capability to work on 360 video projects inside of Avid Media Composer.Mocha VR
New! Mocha VR is a groundbreaking new software tool bringing high-end visual effects and post-production workflows to 360°/VR filmmaking.
It’s a new year and 2017 is a year unlike any other in terms of the technology we have at our disposal for editing and post-production. The controversy over the new MacBook Pro aside we have very powerful hardware to choose from over a wide range of prices. If you’re in the game to edit then running on that hardware will be non-linear editing software as there’s no way around using an NLE to cut your film, commercial, music video, documentary or story together.
The Trimmer window has been a part of VEGAS Pro since the very first version that featured a video editing tool set. However, the window has lead a somewhat conflicted life.
Most users might never even use the window. After all, the very innovation that made VEGAS Pro an instant and enduring success was the efficiency with which the user can edit directly on the timeline. No longer was it necessary to bring your video into an old-school source window first to define in and out points.
Taking a look at the big picture for media & entertainment professionalsWe’ve already taken a look back on the biggest articles and series that were published on PVC in 2016, but the New Year provides us with an opportunity to further explore some of the trends, topics and technologies that changed things for professionals in production and post
Jabez Olssen has had a career any editor would be envious of, from his first assistant editor gig on Lord of the Rings: Fellowship of the Ring. He also edited The Lovely Bones, all three Hobbit movies and, most recently, Rogue One: A Star Wars Story. And as an additional editor got to work with the legendary editor, Michael Kahn, for director Steven Spielberg, editing The Adventures of Tintin.
Intelligent storage and integrated creative solutions on the Avid MediaCentral Platform enable collaboration and workflow efficiencies