Take your filmmaking to the next level with RAW video output, coming soon to the Nikon Z series. Take a first look at what ProRes RAW with the Nikon Z 6 and ATOMOS Ninja V can offer.
ProRes RAW will be implemented as a standardized format across Premiere Pro CC, joining Final Cut Pro X, Avid Media Composer and Edius.
Today Avid announced that Media Composer will deliver native support for Apple’s ProRes RAW camera codec and support for ProRes playback and encoding on Windows. In addition, Apple will provide 64-bit decoders for DNxHR and DNxHD codecs within the Pro Video Formats package that is available from Apple as a free download for all users. These integrations will allow content creators and post-production companies to natively create high-quality ProRes content regardless of their OS.
At IBC 2019 our own Nino Leitner had an interesting in-depth sit-down with Atomos CEO Jeromy Young, talking about 16bit RAW on the Sony FX9, updates to ProResRAW with regards to support in NLEs, as well as the pending multicam switching software updates to Atomos’ Sumo and Shogun 7.
Avid® (Nasdaq: AVID) today announced that Media Composer® will deliver native support for Apple’s ProRes RAW camera codec and support for ProRes playback and encoding on Windows. In addition, Apple will provide 64-bit decoders for DNxHR and DNxHD codecs within the Pro Video Formats package that is available from Apple as a free download for all users. These integrations will allow content creators and post-production companies to natively create high-quality ProRes content regardless of their OS and save time during the creative storytelling process.
Ready to shoot RAW? In this next installment of our Creator Series, London-based photographer Jim Marks takes you through the benefits of shooting skin tones in their best light thanks to the power of Apple ProRes RAW with the Shogun Inferno and Sumo19 paired with the Panasonic EVA1.
Telestream, the leading provider of digital video tools and workflow solutions today announced that its multiformat video player and encoder, Switch, will include support for ProRes RAW.
Filmmakers (and Atomos) have been waiting for camera-makers to output raw over HDMI. Now Nikon is the first to launch the long-awaited feature. 2018 was a big year for raw. Between ProRes Raw and Blackmagic Raw, the once proprietary format (if you don’t count the unwieldy Cinema DNG, with files too big for most of us to bother) is now approachable to the mass audience. However, other than the Blackmagic Pocket, which does raw for $1,295, you needed to spend at least $5,000 to get your hands on a camera that would output raw, primarily over SDI.
Alan Stockdale of Foundlight productions explains why he shot Apple ProRes RAW with his Sony FS5 and Atomos Shogun Inferno monitor/recorder for the new Schneider Kreuznach MOVE series.
As the arms race in mirrorless cameras heats up — led by Sony, which was an early proponent of the technology with its Alpha A7R and A7S cameras — the smaller, lighter DSLR alternatives are becoming more numerous and fully featured. That’s never been more apparent than it is right now, with new models from Fujifilm as well as mirrorless newcomers Canon and Nikon taking pains to appeal to video shooters as much as they do to still photographers