“External recording monitors are essential tools for analyzing composition, color, exposure, and for backing up your footage,” says Alexandria Huff who recently highlighted his few favorite external camera monitors in […]
Broadfield is Your Source for RED KOMODO and these Great KOMODO Accessories
Go live anywhere — in 1080p and in a matter of seconds. With HDMI video connectivity, Vidiu X integrates seamlessly with cameras and switchers to deliver crisp live video to your viewers, all for a great price.
RED KOMODO 6K inventory cannot ship fast enough and Broadfield is working with RED to get and allocate units to RED Authorized Dealers as quickly as possible. Get ready for your shipment by adding these RED approved 3rd party accessories from Angelbird, ProGrade, SmallHD and GDU. Broadfield is your source for all of these products and more!
Broadfield Distributing is a value-added reseller of live production and streaming, post production and filmmaking; and professional video storage solutions. With more than 50 product lines available from Broadfield it is no surprise that many of them would be exhibiting at Cinegear 2019 – the premier annual event for professionals engaged in the technology, entertainment and media industry.
SmallHD announced at IBC 2019 two new lines of 4K monitors under the family name Small4K: the HDR Vision Series and the Cine Series. Both lines will be available in 13”, 17”, and 24” sizes.
Vitec’s Creative Solutions Division is adding even more functionality for cinematographers, with their Camera Control for RED DSMC2 on Cine 7 monitors.
*|MC:SUBJECT|* *|MC_PREVIEW_TEXT|* Focus OLED Monitors Just $499 while supplies last SmallHD Focus 5″ OLED SDI 5.5-inch 1080p OLED with Wide Color Gamut and Tilt Arm. Professional grade camera-top monitor that […]
A 1000-nits. A 7-inch touch screen. An affordable monitor at home on either a high-end camera system or accompanying a solo-shooter and a mirrorless camera. The SmallHD Focus 7 is a highly visible and extremely versatile monitor I found to actually helped me better nail my in-camera exposure, specifically, skin tones. First, the details:
“On our shoots, we continually push our gear to the limits, and having equipment that stands up to the elements and everything we throw at it is a must. Remember that on run-and-gun productions, there’s no time to be gentle with your gear. Always go for the best of the best, even if it costs a bit more. This will actually be a better long term investment as you work on more projects.” – Jeremy Carey, Founder + Director at Ironclad.