The hallmark of Red Giant’s Magic Bullet software products are that they are designed to enhance or stylize images. As their banner states, they focus on “color correction, finishing and film looks for filmmakers.” You can purchase individual software products or a comprehensive suite of tools. I reviewed Magic Bullet Suite 12 a couple a years ago.
Premiere Pro has come a long way since its debut 25 years ago. Today, it’s the industry’s leading editing software, empowering filmmakers and all types of video creators to bring their stories to life in film, on television, and on the web.
NEW PRODUCT ALERT & INTRO WEBINAR
NewBlueFX Filters 5 Ultimate presents over 250 presets in 26 video effects to instantly enhance video through an array of distinctive looks. Find the exact color balance with ColorFast 2’s streamlined grading workflow, then shape the mood with a full suite of stylish aesthetics from Film Color 2 and Old TV to Tilt Shift and Dream Glow.
As many of you know I have been a big fan of ScriptSync since it was first developed almost 20 years ago. Originally designed for Hollywood scripts, editors of every genre soon adopted the technology; with the addition of PhraseFind, the game of editing changed forever. There is no question that anyone who has used these two features can cut their overall edit time down by weeks. Tell that to the producer who questions the budget when adding these features to your Media Composer.
The process of switching from one NLE to another is not often an easy one. All that muscle memory needs to be re-learned, the tool set is different and in some cases even the conceptual paradigm on which the software operates!
There are arguably three top players in the realm of editing software. Who is right for your church’s video projects? Will you choose Apple, Avid or Adobe? Decisions, decisions.
Archiving the raw footage from your cameras from your live events gives you the potential to cut entirely new packages of the event to repurpose, edit, and/or monetize with new branding and angles of view. Recording both branded and unbranded copies of a produced show also allows for quick and convenient on-demand deployment of an original event and of “sweetened” and rebranded edits.
Press Release PARIS, January 12, 2016 – Firefly Cinema, a developer of affordable color grading and dailies processing applications, today announced V6 of its comprehensive color grading software suite which includes: FirePlay (for playback), FireDay (for digital dailies) and FirePost (for color finishing). Used on hundreds of feature films (Planetarium, The History of Love, Belle and Sebastien), FireFly Cinema solutions provide an integrated and production-wide approach to managing color workflows on-set, through dailies and postproduction.
RedShark Review: Red Giant releases Magic Bullet Suite 13, a complete grading solution for Adobe products, as well as Final Cut Pro X.
Specials on FXHome VFX and Green Screen Software.
Now through 01/31/17