Shot on RED: The Irishman
By Adam Noyes
“We tried hard to tell the story from Sheeran’s perspective and to give the audience a feeling of their own memories and lives,” Prieto explains. “Having read the script and the book, it felt to me that representing the passage of time would be more appropriate for the texture of motion picture film negative. Scorsese referenced the patina of home movies, but he specifically didn’t want it to look like Super 8 or 16mm, so that started the whole process of researching how to achieve a feeling of memory.”