Editors have used mezzanine codecs to save on storage and network requirements. The two favorite codecs have been Apple ProRes and Avid DNxHD and more recently DNxHR.
Trying to figure out which editing software is best is a question authors on PVC have indirectly and even directly asked in many different ways. There are numerous considerations when it comes to making a decision about which NLE to use, and all of those options have a laundry list of pros and cons. Very often though, the choices creative professionals make will be more about familiarity than they are about what kind of options that choice affords them.
In this second episode looking at VEGAS Pro, we’re going to look at Editing Basics.
NVIDIA making laptops and mobile devices more powerful and efficient.
Follow along with Mike Downey on how to use this exciting software.
ScriptSync is an Avid product that lives inside Media Composer. It assists filmmakers and video editors with a workflow we’ve been waiting 100 years for – the ability to quickly sync video and audio clips directly to the lines and lines of words on our scripts and transcripts.
Here’s a pop quiz for you: Can you name the four different places you can add video effects to your VEGAS Pro or VEGAS Movie Studio Platinum project?
Most people can easily name two, and some are fairly quick to name three, but don’t feel bad if you don’t get all four, because you’re not alone! Let’s take a look at video FX in VEGAS so that you have a complete understanding of the best place to apply an effect based on the result you’re after.
Listen on on this informative discussion from professional editors on how the performance of various NLE’s and their future outlook.
Take a look at how Avid Media Composer First performs in it’s first month of use.
