Panasonic is holding a live Virtual event covering the future of video production. The stream will go live on May 6th, 2020 It’s going to be a great show with a ton of awesome information, so we wanted to spread the word.
As befits a university with an active sports program, the University of Miami’s Athletic Department has a busy Video Productions Services team. The Miami Hurricanes compete in the Atlantic Coast Conference (ACC) with games and events digitally broadcast on ESPN College Extra and ESPN3. From five UM venues, Miami Hurricanes’ men’s and women’s basketball, baseball, women’s soccer, women’s volleyball, tennis and track and field, digital broadcasts, along with in-game, in-venue video board shows, are produced in-house, mainly by students from UM’s School of Communication led by a professional staff of three.
Devices using NDI are simply connected to the network, discover each other, and are ready to transport media back and forth. This connectivity can be extended across the network.
Producing video content? Looking to increase your view counts when a new video is published? This article discusses a video promotion strategy that includes 7 different methods to increase viewership. These range from how your content is shared to syndication efforts to bolster the number of viewable locations.
The domination of video has made it an exciting time to have a hand in the production industry. As we head into 2019, emerging technologies are beginning to disrupt the […]
With all the system-intensive tasks involved in video projects, it’s rather common to see video editors working with some of the most powerful computer workstations available out there. From top-tier […]
We cannot get enough of the innovations from our friends at Atomos. From them supporting Apple ProRes and giving us monitor/recorders like the SUMO, Shogun and Ninja models, what they have rolling out soon is just as good for the industry if not better.
The SlingStudio Hub is getting a lot of attention from live streamers of all kinds. Intermediate and novice users to industry professionals are becoming more aware of what this system can bring to them.
The first thing to know about the myriad of “RAW” and “RAW-like” codecs is that each of them sets out with the same goal in mind: to record full or near-full sensor readout without encoding any user-defined settings in the footage. This information — such as ISO, white balance, and color space — is saved in a separate metadata file to be used in an NLE.
It’s Thursday so you know what that means. We have an exciting Broadfield Live Webinar coming at you at 2pm today!