PTZ Control with RGBlink mini+ and PTZOptics
By Adam Noyes
Adam Noyes (Video Production Specialist) recently gave a great tutorial of how to utilize the RGBlink mini+ and its PTZ Controls with a PTZOptics PTZ Camera!
Adam Noyes (Video Production Specialist) recently gave a great tutorial of how to utilize the RGBlink mini+ and its PTZ Controls with a PTZOptics PTZ Camera!
Which Epiphan Pearl system is best for your live streaming and recording needs? In this webinar, delivered in partnership with Australian AV importer and distributor A.P. Technologies, we overview Pearl-2, Pearl Mini, and the new Pearl Nano to help you decide which solution best suits your AV ambitions.
A common production need is for various mixes of the audio minus one or more items. This is called a mix-minus. Some example cases, for new producers:
In this tutorial video, you’ll see how MediaCentral makes it easy to search for and find the media you need, regardless of where on your network the media is located, while you’re working anywhere on any device.
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This first episode will show you how to integrate Adobe Premiere Pro into a collaborative workflow with Avid NEXIS | PRO and axle Starter asset management software. Together, these tools offer real-time collaboration to help you and your team work together better and faster.
Don takes a look at more of the editing capabilities now available in media players in TriCaster Advanced Edition. A previous tutorial covered a number of controls to adjust clips on the tool bar at bottom of the media player, including setting in and out points (those controls are enclosed in the red rectangle in the image)
In this edition, Don shows how to set up the inputs on your TriCaster Switcher UI using TriCaster Advanced Edition with NDI.
Your TriCaster system is a combination of literal hardware and metaphorical hardware.
Take a look at this great overview video of Epiphan’s Networked VGA Grid.
In this episode, NewTek’s Master Trainer Don Ballance brings you a 2-minute tutorial featuring TriCaster Advanced Edition’s capabilities for editing inside the media players. For this video, we will be editing inside the DDR, specifically.
In an earlier 2-Minute Tutorial video, Don Ballance showed you how to set up a TriCaster Advanced Edition LiveSet virtual set in a Mix/Effects (M/E) bus. While one requirement of virtual sets is that we are always working with a locked down camera that never moves, TriCaster Advanced Edition provides the ability to do “virtual” camera moves.