In this article from Atomos, Austin Allen, the lead filmmaker at Times Square Church in New York City, provides an in-depth look at how the Shogun Ultra monitor has transformed the church’s video production workflow.
In the article “Is IP Technology the Right Choice for Today’s House of Worship? We Asked the Experts,” Steve Reynolds explores the increasing adoption of IP-based systems, specifically ST 2110, in houses of worship.
Church Production recently posted a blog to their article discussing KAIROS from Panasonic. KAIROS from Panasonic is a next-generation video production platform that provides real-time, IT-enabled processing for live events and broadcasts, allowing for flexible and scalable video production.
There are dozens of platforms offering live streaming for affordable rates, and churches can stream directly to their core audience in tailored, personalized ways that weren’t possible a decade or two ago. Here we’ll emphasize gear that will work best for houses of worship in today’s high-tech streaming landscape.
Through the power of video, CrossPoint Church in Hutchinson, Kansas has connected nearly a dozen church campuses across the state with professional HD video productions of weekly worship messages. With churches around the country facing closures due to shrinking budgets, CrossPoint is enabling churches on the verge of shuttering their doors to stay open.
Solutions for worship live streaming
I had the pleasure of being part of the Epiphan Video staff at WFX 2016 in Louisville, Kentucky on September 21 and 22. This annual show moves around to different locations each year, and brings with it physical and technology-based solutions for churches and worship. The show this year included everything from seating, stages and lighting to music and, of course, live streaming.
At the Epiphan Video booth, we showcased our new Pearl-2 system and AV.io 4K.
Monarch products offer powerful, yet easy-to-use video streaming and recording capabilities to congregations of all sizes
Summit Church’s distinct video workflow requires high quality footage that can be streamed live and recorded for distribution, but not take up huge amounts of data storage space. The Church chose VITEC’s FS-H60 and FS-H70 because they addressed the need for a more efficient file size and workflow.