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Author: Adam Noyes

LiveU Unveils the First Integrated 5G Cellular Bonding Unit for Live Coverage

By Adam Noyes 0 Comment September 25, 2019

LiveU today announced its new fully compliant 5G LU600 solution for global newsgathering and live sports coverage. With internal 5G modems, and high efficiency antennas covering all sub 6GHz frequencies for 5G and 4G, integrated with LiveU’s award-winning 4K HEVC technology, the LU600 5G offers customers the most powerful, reliable and future-proof cellular transmission solution.

SmallHD launches Camera Control for RED DSMC2 on Cine 7 monitors

By Adam Noyes 0 Comment September 25, 2019

Vitec’s Creative Solutions Division is adding even more functionality for cinematographers, with their Camera Control for RED DSMC2 on Cine 7 monitors.

Atomos CEO on 16-bit RAW from FX9, ProRes RAW Adoption & Shogun 7 Now 3000 Nits

By Adam Noyes 0 Comment September 23, 2019

At IBC 2019 our own Nino Leitner had an interesting in-depth sit-down with Atomos CEO Jeromy Young, talking about 16bit RAW on the Sony FX9, updates to ProResRAW with regards to support in NLEs, as well as the pending multicam switching software updates to Atomos’ Sumo and Shogun 7.

RED TECH | RED RANGER vs DSMC2

By Adam Noyes 0 Comment September 23, 2019

With the introduction of HELUM 8K S35 and GEMINI 5K S35 sensor options into the RED RANGER lineup, RED now offers two separate but equally robust product lineups that give content creators more creative choices. The DSMC2 ecosystem continues to provide the most dynamic and modular cinema camera for users who value maximum flexibility, allowing their imaginations to run wild with configuration options.

Avid Delivers Video Editing Workflows with ProRes RAW and DNx Codecs

By Adam Noyes 0 Comment September 23, 2019

Avid® (Nasdaq: AVID) today announced that Media Composer® will deliver native support for Apple’s ProRes RAW camera codec and support for ProRes playback and encoding on Windows. In addition, Apple will provide 64-bit decoders for DNxHR and DNxHD codecs within the Pro Video Formats package that is available from Apple as a free download for all users. These integrations will allow content creators and post-production companies to natively create high-quality ProRes content regardless of their OS and save time during the creative storytelling process.

Napa Valley TV Puts the Power of Television—and TriCaster®—into the Hands of Community Members

By Adam Noyes 0 Comment September 20, 2019

In describing Napa Valley Television—a public, education, and government (PEG) channel serving the Napa Valley, California region—Executive Director James Raymond proudly states, “We’re like YouTube for the community.”

NDI® Makes IP Accessible for Live, Post-Production, Mobile Devices, and Delivery at IBC2019

By Adam Noyes 0 Comment September 20, 2019

IBC Hall 7 Booth #C12, AMSTERDAM—September 13, 2019—NDI®, a brand of Vizrt Group, today released the 4th generation of NDI® technology to both developers and end users at IBC2019 in Amsterdam.

The History of the LaCie Rugged: Creative Pros’ Most Beloved Mobile Hard Drive

By Adam Noyes 0 Comment September 20, 2019

As part of the #LaCieTurns30 celebration, we wanted to share a little history about our most iconic product family — the LaCie Rugged. We’re also offering you the chance to win our new Rugged RAID Shuttle, a first-of-its-kind 8TB portable RAID that makes it easy to ship large projects safely and efficiently!

9 Best Business Live Streaming Platforms

By Adam Noyes 0 Comment September 19, 2019

Live streaming is a marketing mainstay for countless businesses. Why is no mystery: video is a powerful tool for reaching and engaging customers, clients, employees, partners, and stakeholders. But with so many business live streaming platforms to choose from, it can be tough to figure out which is right for your company.

RED RANGER camera ecosystem gets Helium and Gemini sensors

By Adam Noyes 0 Comment September 18, 2019

With the addition of the two sensors to the RED RANGER camera ecosystem, RED Digital Cinema caters to those users who prefer an integrated, all-in-one system to the more modular RED DSMC2 camera.