Avid is pleased to announce an exciting update to our current Reinstatement promotion for Media Composer: Customers who have Media Composer systems that were either previously on an Upgrade & Support plan and did not renew or who were never on a plan can get a Media Composer Upgrade & Support plan reinstatement for $399.00 and get a free copy of the Media Composer | Symphony Option!
Melbourne, Australia – 13 June 2017: Getting state-of-the-art 4K/HD rack-mounted recording and monitoring for the multi-camera studio or outside broadcast has never been more affordable.
Atomos have announced a new price point for their Shogun Studio rack-mounted 2-channel 4K/HD recorder and playback deck with dual 7” IPS monitors.
At NAB Teradek announced H.265 support. At WWDC, Apple did the same. Let’s explore what this means, short and long term.
Amitrace production expert and systems integrator Faraz Ahmed provides a tour of the production capabilities of the NewTek TriCaster® TC1 in this recent webinar.
The annual NAB Show is billed as the place “where content comes to life,” and it’s hard to disagree. The event is a chance for leaders in the world of media and production technology to come together and share knowledge, tackle the big questions facing the industry, and most importantly, show off a few new toys. There’s always a raft of incredible and innovative products on show, but in 2017 it was NewTek who really stepped up and stole the show.
While these tools won’t replace more powerful editing apps out there, they’re definitely an easy way to spruce up your content a little for simple sharing while you’re on the go.
Join Lucas as he takes us through setting up and streaming your first project in Wirecast 7.
Among the many features that had users excited about the announcement of the EVA1, external 5.7K raw recording was high on the list.
When you want to take your video productions beyond simple point-and-shoot, you can shoot the scene from more than one angle to “take it up a notch.” In fact, it’s not unusual to shoot the same scene from different angles with four or more cameras. Take an interview, for instance. You might have one camera on the interviewer, another close on the interviewee, a third shot that shows both of them together, and a fourth for audience reaction.