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Author: Jim Bask

Using NewTek Connect Pro to Monitor NDI Sources from Other Devices

By Jim Bask 0 Comment January 24, 2017

NewTek Connect Pro can serve a variety of video sources as NDI streams for a video production IP workflow, plus give you quality controls for the video streams it provides. The application’s capabilities go beyond the system on which it is installed, however. NewTek Connect Pro can also help you turn any available system or device in your production suite into a multiviewer on which you can monitor any of the available NDI streams present on the network. Yes, you heard that right – you can leverage NewTek Connect Pro on one system from other systems or devices, to make them useful in your production workflow. This is because the application includes NDI Connect Webserver, which can be accessed by other systems and devices on the network. You can then use these to monitor NDI streams from any source on the network. This is not limited to the NDI streams that NewTek Connect Pro is serving.

Epiphan Pearl 2 – 4k Live Streaming and Recording at Duke University

By Jim Bask 0 Comment January 24, 2017

We’ll be looking at a number of new capture and streaming appliances here in the coming months, as there has been a lot of interesting activity in this product space. To start with, we wanted to highlight a significant update to the Epiphan Pearl. We’ve raved about the Pearl in past posts, and it appears there is a lot to be excited about in its successor. In the move from the Pearl to the Pearl 2, Epiphan cranked up the power of its core processor so that in could introduce a number of new features all built around support for full 4k. With the Pearl 2, you have six HD video inputs that you can composite or crop into any number of configurable layouts, and you can output the results into 6 separate HD streams. That’s a powerful toolkit for anyone looking to do mobile video capture and streaming.

Support Growing for SMPTE IP Standard

By Jim Bask 0 Comment January 23, 2017

The Society of Motion Picture and Television Engineers committee at work on a new standard for professional video over IP is nearing the stage where its work can be put to the test. Many are hopeful the SMPTE 2110 standard will deliver what’s needed for the industry to coalesce around an IP protocol that broadcasters and others in the industry can support.  


6 Features That Make the Teradek Cube an Amazing Camera Accessory

By Jim Bask 0 Comment January 20, 2017

Camera technology is not the only reason it’s an exciting time to be a filmmaker. Manufacturers such as AJA, Atomos, Blackmagic Design, Convergent Design and others offer increasingly inexpensive solutions for bolstering and customizing camera workflow — especially when it comes to external media recording and monitoring. Some of these devices provide functionality shooters have long sought after, and still others bring capabilities some of us may never have even dreamed of. The Teradek Cube is one such device, and here is the first part of my full review.

Facebook Live Case Studies

By Jim Bask 0 Comment January 20, 2017

We spoke with 15 publishers including PBS, The YES Network, and TechCrunch to find out exactly how they’re broadcasting to Facebook Live, and the technology they’re using to do it.

NewTek NDI gets NewBlue’s Titler Live Broadcast

By Jim Bask 0 Comment January 19, 2017

NDI Titler Live

NewTek NDI’s first third party sign-up, NewBlue’s Titler Live Broadcast, boasts advanced titling and lower thirds graphics and could be the first in a wave of NDI-compatible applications.

Replacing traditional SDI systems with IP technology is something that promises to save big pots of gold, although it principally applies to those of us who are involved in big live studio installs or OB work. It’s a tool of the live or as-live production world, which is understandably interested in building video infrastructure out of commodity-priced information technology hardware, as opposed to the industry-specific SDI routers and switchers that are normally used.

Monarch Family of Streaming & Recording Appliances and VS4Recorder Pro to be Featured in Amsterdam

By Jim Bask 0 Comment January 19, 2017

Click to enlargeMONTREAL — January 18, 2017 — At ISE 2017 (Amsterdam RAI, Feb. 7-10, Stand: 12-E38) Matrox® will be presenting its lineup of video end-user products; including the dual-streaming Monarch LCS™ lecture capture appliance and the complete Monarch family of H.264-based video streaming and recording appliances, alongside the VS4Recorder Pro™ multi-camera recording app.

Creating Post-Production Workflow Efficiencies with the Avid NEXIS | PRO

By Jim Bask 0 Comment January 19, 2017

The benefits of embracing shared storage

What’s the most inefficient part of your workflow?

It’s a big question with answers that can range from the very simple to the exceedingly complicated. Everything from render times to client feedback to transcoding logistics can impact how quickly or slowly a project is able to get through a post-production workflow. These elements plus countless others can have a major effect on the deliverable and overall production schedule.

NewTek and Wowza Release MediaDS

By Jim Bask 0 Comment January 19, 2017

Encoder offers NewTek proprietary IP inputs, world-class color correction, and an integrated Wowza Streaming Engine for live delivery.

First announced at IBC in Amsterdam last September, the NewTek/Wowza Media Systems MediaDS (Media Distribution System) is now available for immediate purchase. The MediaDS unit comes in a one rack-unit (1RU) form factor and is priced at $11,995.

How does the Panasonic GH5 work with a Shogun Inferno recorder? Atomos CEO Jeromy Young explains

By Jim Bask 0 Comment January 19, 2017

At the CES show Atomos CEO Jeromy Young ran me through the functions of the Atomos Shogun Inferno recorder when combined with the new Panasonic GH5. The combination of GH5 and Inferno gives the option for 4K 10-bit 4:2:2 at 60P external ProRes recording from a prosumer mirrorless camera for the first time. Jeromy also confirmed that you also record 4K 10-bit 4:2:2 at 24,25 and 30P with the older Atomos 4K recorders.