Join Broadfield Distributing, Inc. Thursday, September 22, 2016 for our special Dealer Training Day in NY to present storage and production tools that everyone needs! Featuring G-Technology, Atomos and Ikan.
Get 35% off Titler Pro 4, Elite, or Ultimate and get a FREE upgrade to Titler Pro 5 when it is released.
G-Technology has expanded their ev Drive line-up, doubling its maximum capacity to 2TB. The highly versatile Evolution Series drives can be used as a stand alone rugged USB 3 portable hard drive or plugged into a Shuttle for quick offload and duplication.
axle Video, developer of “radically simple” software to manage video and still image media, announced that axle Starter, a new entry-level version of its flagship media management software, is now included with all configurations of the industry-leading Avid NEXIS™|PRO software-defined storage platform from Avid®. Customers receive a 2-user license for axle Starter software with each Avid NEXIS|PRO purchase, including powerful search and browser-based display, browse, shot selection, annotation, review and approval capability for up to 300,000 assets, along with their purchase of Avid NEXIS | PRO storage.
I started out as an assistant editor four years ago and was constantly switching between different nonlinear editing systems such as Final Cut Pro and Premiere. I had a basic knowledge of Avid Media Composer but knew that to step up my game and become a feature film editor, I would have to master the art of Media Composer.
At NAB this year, we were on the hunt for a Facebook Live solution that fit our unique need here at Videomaker. At the time, you could only use the camera built into your smartphone to stream to Facebook. While we did find products like the Mevo and heard rumblings of what would become DJI Go’s integration with Facebook Live, we needed to be able to switch between multiple sources to present the content and information in the way we wanted.
With a 5-inch screen and a 1080p resolution, SmallHD’s pixel-dense 502 monitor is the perfect companion for any small camera or lightweight gimbal. It’s wide color range, huge selection of helpful overlays and professional build quality gives cinematographers a great tool for getting great shots.
On August 31, 2016, we are officially retiring legacy versions of Wirecast. This includes Wirecast versions 3, 4 and 5. You may continue to use your permanent licenses for legacy versions, but you will no longer qualify for customer support which includes technical inquiries, licensing issues, and compatibility questions. Moving forward we will be supporting Wirecast 6 and 7 as well as the latest operating systems, Windows 7, 8, 10, and Mac OS X 10.10 Yosemite and 10.11 El Capitan.
In our modern digital lives, we have an endless number of ways we use our computers, including using them to produce video. We may want to send full-screen output as video to a switcher or recorder to make training or demonstration videos. We may want to send just the output of one program as a video source like a dedicated text or graphics program specifically for broadcast production, or it could be a program used daily for common business or personal tasks.
Phoenix-based azPTP has been providing fully equipped production crews to major studios, television shows, ad agencies and corporate clients since 1999. They offer complete post production editing, audio, color correction and cleanup services with the latest equipment, and they’ve got global experience in 6K, 5K, 4K and HD, with offerings from script to screen.
azPTP’s work has appeared on the major broadcast networks (ABC, CBS, NBC), on sports outlets in the form of news magazines and features (Fox Sports, ESPN, HBO Real Sports, PGA Tour, The Golf Channel, NASCAR Images), in corporate presentations (Ford, GM, Walgreens), in documentaries (Last Picture Show, Chronic Insomniac), and in independent films (Home Front, Letters From Home, The Princess of Ahwatukee).
In 2009, leveraging their extensive experience in broadcast television, azPTP expanded their focus to include more cinematic endeavors, specializing in high-resolution digital cinematography. Shooting primarily 5K on a Red Weapon, azPTP also accommodates budget-minded clients who want a high-end look but can’t afford 5K pricing by using specialty camera options. For editing, azPTP started out using Avid Media Composer but has transitioned to the Adobe Creative Cloud.