by Jim Bask | Mar 16, 2017 | News
By Bryant Frazer Speaking of HDR, how is HDR handled by Media Composer? We support it. We are agnostic to it. It flows through editorially. The big thing with HDR is the monitoring, and that’s still cost-prohibitive for a lot of people. The Dolby Vision stuff is...
by Jim Bask | Mar 16, 2017 | News
If you are cross-comparing HDR field monitors, you’ll definitely want to checkout SmallHD’s new 13″ HDR. It makes viewing outdoors a pleasure. An innovative monitor that thrives outdoors or in, and shows that 13″ can be as good as...
by Jim Bask | Mar 16, 2017 | News
Featuring G-Technology G-DRIVE ev SSD External Solid-State Evolution Series Drive In this video, shot last month at BVE 2017, you can see exactly how quickly a drive working north of 540Mbps can move your data around….[continue reading]
by Jim Bask | Mar 16, 2017 | News
By Melissa Circe Welcome to the second installation of Editors on Avid, a three-part blog series that explores why editors choose Media Composer to tell compelling stories. In this article, we’ll learn how Media Composer accelerates editing workflows for video...
by Jim Bask | Mar 16, 2017 | News
Premiere Pro has come a long way since its debut 25 years ago. Today, it’s the industry’s leading editing software, empowering filmmakers and all types of video creators to bring their stories to life in film, on television, and on the web. 25 years of...
