Televisual – ProRes RAW Workflow – Accelerated by SSD
By Jim Bask
To test a host of new production technologies, Televisual took an actor and crew to the Cotswolds, in the UK, to shoot a short film in 4K. Horror was the […]
Category: News
New Atomos Shogun 7 with Dolby Vision Out and 15 stop screen
By Jim Bask
So this landed in my inbox today. Atomos are releasing what on paper at least is a truly remarkable new recorder and monitor, the Shogun 7. For some time now […]
PostPerspective NAB 2019 Interview : Avid’s David Colantuoni
By Adam Noyes
Just prior to NAB, Avid held its Connect conference where they introduced newly designed Avid Media Composer and its Nexis|Cloudspaces SaaS cloud storage solution. Check out the video from post perspective below.
Teradek shows off its new 4K gear at NAB 2019
By Jim Bask
Teradek’s range of wireless video systems just got a major update at NAB with brand new 4K versions abound. We caught up with the company at NAB 2019 to talk […]
Coming soon: New Avid MC interface (interview at NAB2019)
By Jim Bask
Hi everyone. I know you’re curious about the new Media Composer being released soon. Many of you saw it has a new “paneled” user interface, a new color palette and […]
RED TECH | REAL-TIME 8K WORKFLOW WITH NVIDIA GPUs
By Jim Bask
Announcing the RED R3D® SDK and accompanying REDCINE-X PRO® software with accelerated decode and debayering on NVIDIA CUDA® platforms. By offloading the compute-intensive decoding and debayering of RED R3D files […]
A Super-Simple Way to Safely Park and Back up Projects to the Cloud — Introducing Avid NEXIS | Cloudspaces
By Adam Noyes
As production teams create more immersive, rich video content, they are paving the way for deeper engagement with audiences. But that higher-quality media comes with larger, more complex projects. Teams need the ability to back up or park storage workspaces quickly and easily to protect project files and keep content production moving forward. And, unless there’s a secret stash of money lying around, budget constraints make large, up-front purchases of more storage difficult if not impossible.
The backlight technology on the Shogun 7 is a highly complex achievement
By Jim Bask
The backlighting technology used on an LCD display panel makes a surprisingly big difference to its performance, and we’re not just talking about making things brighter. The panel in question […]
NewTek at NAB 2019
By Jim Bask
From the NAB Showfloor: As Brian Olson, VP of Product Management at NewTek admits, the Vizrt purchase of the company was probably the biggest news at NAB 2019. But there […]
Eight Top Trends from NAB 2019
By Adam Noyes
It wasn’t really a razzle-dazzle show at NAB this year. Production trends that seemed like they could be the future of media in years past — stereo 3D post-production, 360 video acquisition and VR-headset experiences — have faded into the background, becoming just another bullet point on a marketing sell sheet. Formerly eye-catching gadgets like handheld camera stabilizers have become a more familiar sight, and drones were nowhere near as prevalent on the show floor as in previous years. (Drone giant DJI didn’t even exhibit on the show floor this year.) And futuristic technology like light-field cinematography, which blew so many minds in 2017, was largely absent from the discussion this year. What took its place? Practical, short-term concerns. Customers were interested in sending video over IP networks, taking advantage of powerful GPU acceleration, and getting media into the cloud to leverage AI-based tools, such as Amazon Rekognition, that can help better identify, tag and monetize content.