by Jim Bask | Aug 25, 2017 | News
The NewTek TriCaster TC1 has sports written all over it, featuring 4K, 60p, and built-in instant replay, all designed to give producers the latest and greatest live production tech in a compact package. By Paul Schmutzler This tutorial will introduce you to...
by Jim Bask | Aug 25, 2017 | News
Storage solutions are becoming one of the most integral pieces of equipment for media outlets. Whether it’s music or video finding the right storage solution is more important than ever before. With many different options it may seem difficult to...
by Jim Bask | Aug 24, 2017 | News
Editing 4K on Avid’s Media Composer Editors have used mezzanine codecs to save on storage and network requirements. The two favorite codecs have been Apple ProRes and Avid DNxHD and more recently DNxHR. The codecs are supported right back to the camera in many...
by Jim Bask | Aug 23, 2017 | News
By Oliver Peters Most days I find myself in front of Adobe Premiere Pro CC, both by choice and by the jobs I’m booked on. Yes, I know, for some it’s got bugs and flaws, but for me it’s generally well-behaved. Given the choices out there, Premiere Pro...
by Jim Bask | Aug 22, 2017 | News
By Jess Bedford Recently Avid participated in two events that underscore today’s media-anywhere environment and the importance of the cloud in that journey. In the same way that Avid led the industry three decades ago, Avid is once again at the forefront in...
by Jim Bask | Aug 22, 2017 | News
From G-Technology Next Generation Filmmaking RED sparked the 4K revolution in 2007 and established a trend in stunningly rich, ultra-high-definition filmmaking that continues through today. This industry transition disrupted traditional workflows with digital-era...
