by Jamie G | May 26, 2021 | Uncategorized
Panasonic has announced a new feature to the GH5s. ProRes RAW recording is now a feature on the GH5s. This new feature will allow GH5s owners to capture full DCI 4K (4,096 x 2,160) or anamorphic 3.7K in 12-bit RAW quality at up to 60 fps over HDMI. Steve Dent,...
by Adam Noyes | May 24, 2021 | Uncategorized
AV Magazine recently published a great article going over Panasonic’s Auto Tracking System and how it now goes into the virtual production space. A leading event and content marketing agency in Norwood, Massachussetts, Cramer is well known for creating impactful...
by Jamie G | May 19, 2021 | Uncategorized
With the sudden pandemic last March, concerts, trade shows, conferences, house of worship services, and much more had to become virtual. With the world slowly turning back to normal we think that streaming will here to stay. Epiphan recently released an article...
by Jamie G | May 18, 2021 | Uncategorized
Capture cards and hardware encoders are hardware solutions that serve very different applications. George Herbert, Customer Support at Epiphan, explains the differences of the two hardware solutions in their recent YouTube video. Epiphan capture cards, such as the...
by Jamie G | May 17, 2021 | Uncategorized
Go behind the scenes of Atomos Academy’s video showing off the Ninja V combined with the Sony A7S III. Plus get a few tips from Alan of Foundlight Productions regarding editing ProRes RAW files. The Ninja V gives you increased dynamic range on-screen. Add to...
by Jamie G | May 14, 2021 | Uncategorized
BirdDog’s P200 PTZ Cameras has helped Melbourne Convention and Exhibition Center stream major live events. With the help of NDI technology, BirdDog Studio NDI converters and Epiphan Pearl encoders, plus the P200 PTZ Cameras, Melbourne Convention & Exhibition...
