NAB Show 2024 | Shot on RED
By Jennifer P
On the show floor of NAB 2024, check out RED’s V-RAPTOR [X] camera systems with Global Vision and all-new Broadcast Solutions.
RED brought its latest innovations to the National Association Broadcasters (NAB) Show April 13-18, including the all-new V-RAPTOR [X] and V-RAPTOR XL [X], which RED recently launched as the first-ever Large Format global shutter cinema camera. RED’s demonstrations focused on its Global Vision suite of tools, including Extended Highlights and Phantom Track for virtual and live productions. RED participated in NAB’s CineCentral in the Central Hall. The education-focused activation allowed attendees to take advantage of hands-on learning across various technologies and methods, including dedicated demos of the latest RED products.
All-new broadcast solutions, including SMPTE fiber cine-broadcast module and broadcast color. In addition, RED highlighted all-new broadcast technologies, which help to unlock cinematic imagery for broadcast and live event productions- including the all-new RED CINE-BROADCAST MODULE and broadcast color pipeline.
The new RED CINE-BROADCAST MODULE is compatible with V-RAPTOR XL [X], V-RAPTOR [X] and standard V-RAPTOR and V-RAPTOR XL camera systems. The module unlocks live broadcast with up to 2 channels of 4K 60P (HDR/SDR) over 12G-SDI and is IP-broadcast ready with SMPTE ST 2110 (TR-08) and up to a 4K 60P JPEG-XS feed. The module features a LEMO SMPTE 311M/304M hybrid fiber optical cable connector, which connects to a rack mountable 2 RU Base Station.
Additionally, broadcasters will also be able to unlock advanced workflows with slow-motion, AI/ML augmentation and live to headset using 8K 120FPS R3Ds by using RED’s license-enabled RED Connect feature.
RED also unveiled the brand-new Broadcast Color pipeline for the DSMC3 lineup, for live painting of RED cameras in a broadcast or streaming environment allows for on-demand adjustments and multi-camera color matching. The new firmware-enabled functionality utilizes industry-standard RCPs to control painting parameters in real-time over IP while saving information per frame in the R3D metadata.
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