Using 4K video for live event capture with Epiphan Video
By Jim Bask
4K video isn’t just the latest fad, it’s becoming the new standard. In the near future, any live video production is going to need to use 4K video (or UHD Video, as the 3840×2160 resolution is often referred to) in order to remain competitive. This isn’t just because it’s a new novelty, either – there are genuine benefits that come from the format, ranging from greater display range, to better behind-the-scenes editing.
The benefits are huge, but computers are having trouble keeping up, since the amount of information captured by a 4K camera can sometimes tax even the best processors.



SmallHD has an array of new power accessories to make its popular 500 Series (five-inch) and 700 Series (seven-inch) high definition field monitors more versatile.
In an earlier 2-Minute Tutorial video, Don Ballance showed you how to set up a TriCaster Advanced Edition LiveSet virtual set in a Mix/Effects (M/E) bus. While one requirement of virtual sets is that we are always working with a locked down camera that never moves, TriCaster Advanced Edition provides the ability to do “virtual” camera moves.
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SmallHD’s line of 5” 500 and 700 Series monitors, at 7”, are now compatible with an extended variety of popular and professional industry powering solutions. Previously compatible with popular and affordable Sony L-Series or Canon LP-E6 batteries, the panels are now available with Pro Battery Plate Kits that will allow the usage of top shelf powering systems.
Watch Avid’s Challenge to cut, edit, assemble, control and access massive amounts of performance capture footage and dialogue for the latest iteration of the Star Citizen video game series. Also, see how they came up with the solution.
No longer is Thunderbolt required for 4K digital video ingest and live view. Epiphan has released the