4 Ways to Use Hybrid Cloud Storage for Post Production
By Adam Noyes
Oriana Schwindt wrote up 4 great ways to use hybrid cloud storage for post production in a recent article.
Tag: Avid-media-composer
Avid Media Composer – Interface Overview & Basic Settings
By Jamie G
Let’s Edit MC’s most recent tutorial, Avid Media Composer- interface overview & basic settings helps beginners and professionals get rolling in their video editing process. In Kevin P McAuliffe lesson he goes over the new Bin Container window, a Media Composer interface overview, and the basic settings you need to start your editing!
What to Consider When Building a PC for Video Editing
By Adam Noyes
For editors, there is probably no worse moment than when you tap the spacebar to playback your work and the video begins stuttering. Now to figure out what features or settings you can change to make the NLE at least usable for the next few moments. After these moments, you might find yourself considering building or upgrading your PC to ensure better performance in Adobe Premiere Pro or After Effects.
Avid S1: the Power of Larger Consoles in a Solution for Home Studios
By Adam Noyes
If you need the speed, rich visual feedback, and software integration of Avid’s high-end consoles but are limited by space and /or a budget, Avid has the solution for you: meet the Avid S1.
ProRes Raw support comes to Avid Media Composer
By Adam Noyes
Today Avid announced that Media Composer will deliver native support for Apple’s ProRes RAW camera codec and support for ProRes playback and encoding on Windows. In addition, Apple will provide 64-bit decoders for DNxHR and DNxHD codecs within the Pro Video Formats package that is available from Apple as a free download for all users. These integrations will allow content creators and post-production companies to natively create high-quality ProRes content regardless of their OS.
Atomos CEO on 16-bit RAW from FX9, ProRes RAW Adoption & Shogun 7 Now 3000 Nits
By Adam Noyes
At IBC 2019 our own Nino Leitner had an interesting in-depth sit-down with Atomos CEO Jeromy Young, talking about 16bit RAW on the Sony FX9, updates to ProResRAW with regards to support in NLEs, as well as the pending multicam switching software updates to Atomos’ Sumo and Shogun 7.
Avid Delivers Video Editing Workflows with ProRes RAW and DNx Codecs
By Adam Noyes
Avid® (Nasdaq: AVID) today announced that Media Composer® will deliver native support for Apple’s ProRes RAW camera codec and support for ProRes playback and encoding on Windows. In addition, Apple will provide 64-bit decoders for DNxHR and DNxHD codecs within the Pro Video Formats package that is available from Apple as a free download for all users. These integrations will allow content creators and post-production companies to natively create high-quality ProRes content regardless of their OS and save time during the creative storytelling process.
Industrial Media Expands Collaborative Workflows with Avid Shared Storage
By Adam Noyes
Industrial Media and its Emmy®-winning television production company, The Intellectual Property Corporation (IPC), are adding a new production hub in New York City. It is the first step in the company’s goal of collaborating remotely with directors, producers, and editors throughout the country.
Avid Media Composer’s UI Wars
By Adam Noyes
Let’s face it we are obsessed with UI. User interfaces are our way of controlling everything, and I’m not just talking about Avid Media Composer. From the dashboard in your car, the panel on your stove, the buttons in the elevator, the remote in your hand and the apps on your phone, to Google and Facebook, none of us can navigate through five minutes of living our lives without dealing with some sort of an interface.
Avid Media Composer 2019 Upgrade and Project Migration Tutorial
By Jim Bask
In this tutorial, we will be upgrading our system to Avid Media Composer 2019. Then we will see how a project created in the previous version migrates into the new […]