Avid editors got a pre-IBC treat as Media Composer 2018.9 was released last week, on the eve of the show.
Notably, the new release introduces DNxUncompressed, a “visually lossless” DNx format with 32-bit float support for effects and color processing. This means you can pull 16-bit or higher-quality formats onto the timeline and maintain full quality through FX, color-correction, or media encoding.
dock10 is the UK’s leading television facility and one of Europe’s top media services providers. Located in the heart of MediaCityUK, in Manchester, England, dock10 runs a 250,000 square foot facility with state-of-the-art studios and post-production services. The company launched in 2011 as a key supplier to the BBC focusing on producing live sports and children’s content. Today, dock10 studios and post-production services are involved in the production of some of the UK’s most popular television shows, including Happy Valley, Match of the Day, and The Voice, as well as VFX-based commercials and corporate videos.
Shared storage and shared work spaces, like many technological advances, are becoming more widespread. The desire to implement shared storage devices like the Avid | NEXIS Pro and shared work spaces like Avid MediaCentral is a global trend.
The more NDI becomes a stable IP workflow for video production the more innovations we will see therein. Now that we can send video and embedded audio over IP, the question is “Where do we go now?”
The Miami HEAT are on a mission to maximize revenue for digital content. The professional basketball team, based in Miami, Florida, employs 18 full-and-part-time employees in its Media Production Department.
Founded in 1979, Raycom Sports has produced and distributed football and basketball games from the ACC and the NCAA as well as distributing games from the Southeastern, Big Eight, and Big Ten conferences. Having already standardized their production throughput on Avid’s MediaCentral workflow management platform, Farmartino’s research soon revealed that it would be far cheaper to keep the digitizing workload in-house rather than farm it to an outside vendor.
This week’s Broadfield LIVE Webinar was a recap video from our Dealer Appreciation event we held at a Mets game back in July. We wanted to thank our dealers further with this video presentation including the sponsors for the event, NewTek, G-Technology, Avid, Atomos & LiveU.
Mason Carden knows every stage of the storytelling process, whether as a videographer recording wildlife off the coast of Cape Cod, to producing the dedication of the Provincetown AIDS Memorial, to editing and delivering polished episodes for AXS TV’s Real Money. He has spent his career in video creation, developing mastery of Avid Media Composer, and building skills for timing and composition that transfer to other parts of the production flow
On this week’s Broadfield Live Webinar, features AVID MediaCentral | Editorial Management is the foundational component of the larger MediaCentral for Post solution, designed specifically for the needs of smaller post-production and broadcast teams working with Avid NEXIS. Through Avid’s new and unique HyperBin architecture, it delivers enhanced collaborative capabilities, enabling teams to stay in complete sync, have greater control over their media assets, and turn around their best work faster than ever before.
If you work in media, it’s likely you’ve heard this sentiment preached repeatedly over the past few years. Rapidly advancing technology has empowered creatives and increased audience demand. Content needs to be created faster, in larger volumes, and in higher quality to meet more sophisticated viewer expectations. Workflows designed for singular platform delivery are no longer viable.