Avid’s MediaCentral Promises to Speed Up Collaborative Workflows
By Jim Bask
Avid making a cloud service way easier to use and operate.
Tag: avid
Introducing the Avid Artist | DNxIV at IBC 2017
By Jim Bask
Avid Artist | DNxIV, bringing the power of the DNxIQ to your desktop.
Accelerate Your Complete End-to-End 4K Workflow — Avid MediaCentral for Post at IBC 2017
By Jim Bask
Avid helping content creators manage and collaborate easier than before.
Accelerate Your Complete End-to-End 4K Workflow — Avid MediaCentral for Post at IBC 2017
By Jim Bask
It’s no exaggeration, although it might be a little clichéd, to say that we are currently enjoying a golden age of TV. Or, to be more precise, a golden age of content, with the advent of mobile devices creating more viewing options. Conventional broadcasters are upping their game to compete with new-kids-on-the-block Netflix, Google and Amazon, who in turn are investing heavily in original series production. Who knew? Despite fears about how the online interlopers might disturb the broadcast equilibrium, it appears that the entertainment industry isn’t a zero sum game.
Now Available: Avid Media Composer 8.9.1
By Jim Bask
Now Available: Media Composer and Media Composer | First 8.9.1. Media Composer 8.9.1 was released on Thursday, August 24th at 12 PM EDT.
System Showcase: Avid Supports Practical 4K Workflows at Technicolor PostWorks New York
By Jim Bask
At Technicolor PostWorks New York, a veteran post-production and finishing company, clients span both non-fiction clients (Reality TV, science and factual) and scripted clients (episodic television shows and feature films).
Avid to Receive Emmy for ‘Technology and Engineering’
By Jim Bask
Another Emmy in the trophy case for Avid.
Has Avid Lost Their Mind?
By Jim Bask
Avid’s crazy Pro Tools complete plug-in bundle is an easy purchase to make.
Avid Technologies: Taking Storage to the Limit
By Jim Bask
Storage solution insight from an Avid Specialist Manager.
Production & Post Global Viewpoint – August 2017
By Jim Bask
Editing 4K on Avid’s Media Composer
Editors have used mezzanine codecs to save on storage and network requirements. The two favorite codecs have been Apple ProRes and Avid DNxHD and more recently DNxHR.