Atomos has been developing amazing monitoring and recording technology for over a decade. Shinobi II has been redesigned with a new, slimline case and a 50% brighter screen, yet still manages to pack in all of Atomos’ renowned screen processing technology and professional monitoring tools, plus exciting new hardware features like camera control.
NDI, the global video-over-IP connectivity standard, announced the release of NDI 6, a key update set to significantly impact broadcasting and content creation. NDI 6 introduces native HDR support and expands WAN connectivity for hardware, addressing critical industry requirements and pushing the boundaries of visual quality and remote workflows.
In his new YouTube video, user extrashot shows us his first attempt at uploading in HDR from his Atomos Ninja V+.
The Atomos Shinobi 7 is here! Back in May Atomos announced their new 7″ 2200nit HDR HDMI+SDI i/o Pro Video and Photo Monitor that works with any camera, the Shinobi […]
Atomos’s new HDR Cinema Monitor-Recorders, the Neon 17 and Neon 24 features a full array local dimming (FALD) to achieve1000nit/cdm2 full screen brightness, 0nit / cdm2 Black point. With wide gamut DCI P3 coverage, built in LOG transforms for HDR monitoring and custom 3D LUTs for SDR the NEON series provide accurate monitoring for either production or post. With it’s recent launch, now is the perfect time for creators to get to know all bout the Neon and how it can affect their workflows.
Atomos is adding live asynchronous switching and quad ISO recording to the Sumo 19 HDR monitor-recorder. The company said the new AtomOS 9.2 update will be released at the Inter Bee show, which begins tomorrow, November 13, in Tokyo.
Just when you thought field monitors couldn’t get any more advanced, Australian firm Atomos continues to push the envelope with its Shogun 7 precision HDR monitor recorder Words Adam Duckworth […]
Neon is an ecosystem of HDR field monitors that saves the creator time by allowing them to make more decisions in the moment of recording, playback, monitoring and editing
Avid (www.avid.com) announced an all-new version of its flagship video editing system, Media Composer, completely redesigned and reimagined for “today’s and tomorrow’s generation of media makers.” Unveiled at Avid Connect 2019, the company’s gathering of media and entertainment users during the 2019 NAB Show in Las Vegas, the all-new Media Composer 2019 was in the spotlight at the company’s booth througout NAB.
The intent with Media Composer 2019 is for aspiring and professional editors, freelancers and journalists to be inspired to work more creatively by taking advantage of a new user experience, a next-generation Avid media engine with distributed processing, finishing and delivering capabilities, a customizable role-based user interface for large teams, and more.
So this landed in my inbox today. Atomos are releasing what on paper at least is a truly remarkable new recorder and monitor, the Shogun 7. For some time now […]