Red Digital Cinema’s entry into the cinema camera world is regarded by many in the industry as a revolution in professional film and video. In 2007 when Red was introduced major names like Panasonic and Sony dominated the market, and while they still certainly have their place, Red has also carved out a place for their excellent cameras.
KOMODO 6K is the latest breakthrough product in RED’s long line of innovative image capture technology. The newest entrant into the RED lineup is a compact and highly powerful cinema camera.
With the addition of the two sensors to the RED RANGER camera ecosystem, RED Digital Cinema caters to those users who prefer an integrated, all-in-one system to the more modular RED DSMC2 camera.
Promising to deliver incredible dynamic range, the new DSMC2 GEMINI Camera Kit from RED gives you the core components to produce cinema image quality, packed in a camera case.
Announcing the RED R3D® SDK and accompanying REDCINE-X PRO® software with accelerated decode and debayering on NVIDIA CUDA® platforms. By offloading the compute-intensive decoding and debayering of RED R3D files […]
Value-added distributor of video production hardware will offer Core SWX Batteries, Chargers & Special Bundles for RED Cameras. NAB 2019, Las Vegas, NV – Broadfield Distributing, Inc., a proud distributor […]
In case you missed it be sure to check out this week’s Broadfield Liquid Lunch & Learn LIVE Webinar. Our topic this week was G-Technology G-Speed shuttle EV Workflows for […]
Just a few short months ago, RED simplified its product line and introduced a price cut to make it easier for filmmakers to navigate its offerings. RED would now offer three sensors built around the same DSMC2 body: the 8K Monstro (Full Frame), the 8K Helium (Super35mm) and the 5K Gemini (Super35mm, and dual ISO).
DSMC2, the latest generation of RED’s camera BRAIN, is not only powerful, but the entire system is extremely versatile. These bodies can house three different sensors: MONSTRO 8K VV, HELIUM 8K, and GEMINI 5K S35. A wide range of modules and accessories expand the possibilities even further. We asked three of our Technical Specialists to describe their ideal RED DSMC2 package. Here’s a look at what’s in Nic’s RED kit.
The RED cinema camera line up, from the outside has always been quite a confusing one to follow. When the company announced a unification earlier in the year, we wrote a layman’s terms articleexplaining the formalisation to just 3 camera bodies