Earlier in September we revealed a number of the most exciting features coming to Premiere Pro CC. What we didn’t tell you is that this release includes over 170 new features across Premiere Pro and Media Encoder, not to mention new features for After Effects, Audition, and Team Projects. And the best news is all these new features are available now.
OSU simplifies multi-platform streaming and expands audience reach for important events
EDIUS 9 is now available! Get the details here.
A workflow should — well, flow! The LaCie 2big Dock simplifies and centralizes your desktop by connecting your laptop to all of your peripherals via a single cable.
There are some certainties in the industry we work on, and one of them as become the yearly (or so) updates to our favorite applications and/or effects packages, and a lot has happened for a certain company, namely Boris FX, in the last few years. In this article, we’re going to be taking a look at the new release of Continuum from Boris FX, version 11 for AVX (BCC 11), and see what this year’s offering has for editors out there.
The 360 Round has 17 2-megapixel cameras and six microphones (and two mic ports), which work together to create 3D VR video. Samsung says that it’s powerful enough to live stream 4K VR at 30 fps.
This video is a quick start guide for any Avid editor that would like to work with 360 immersive video formats. Featuring the new Continuum VR Unit for Avid.
World renowned surf photographer Todd Glaser shares how Lacie hard drives streamline his workflow. With the help of Rugged drives and 6big Thunderbolt 3, he can protect his footage from the elements, upload and edit content lightning fast, and centralize tons of files into one space.
We know it’s been a long time coming for true improvements in the area of hardware acceleration for rendering in VEGAS Pro. When we took over production of VEGAS Pro nearly a year and a half ago, nothing was closer to the top of our priority list than this. In VEGAS Pro 14, we introduced hardware-accelerated HEVC rendering for both 8-bit and 10-bit rendering.
It’s tempting to compare storage based only on size, capacity and speed. But there’s much more to it than that. Take the G|SPEED SHUTTLE XL from G-Technology, for example.
When you’re choosing storage, you have what seems like a million options. It’s always tempting to narrow your choice down to speed, capacity and price. But there’s much more to it than that.